I love thee to the depth and breadth and height my soul can reach.
How do I love thee? Let me count the ways.
How do I love thee? Let me count the ways.I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace.
If I wasn't writing poems I'd be washing my hands all the time.
A lot of people are writing poems and don't realize it. They have this limited idea of how the poem should sound or what subjects it should address.
I began just writing poems and then fell in love with the form.
When one's not writing poems - and I'm not at the moment - you wonder how you ever did it. It's like another country you can't reach.
I prefer the absurdity of writing poems to the absurdity of not writing poems.
But writing poems and letters doesn't seem to do much good.
She could become a spinster, like Emily Dickinson, writing poems full of dashes and brilliance, and never gaining weight.
I'm a memoir writer. I try to understand the world by taking experiences I have and making them into a story, whether it's a narrative memoir, blogging for The Huffington Post, writing poems, or talking on the screen about what has happened to me and how that relates to the world at large.
I know I'll keep writing poems. That's the constant. I don't know about novels. They're hard. It takes so much concentrated effort. When I'm writing a novel it's pretty much all I can do. I get bored. It takes months. Movies do the same thing. It's all-encompassing. It feels like I'm going to end up writing poems, short stories and screenplays.
I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
He was all emotion all the time, constantly talking about his feelings and his profound love for her. He was minutes from getting his first period. He wrote poems too. It's my personal belief that if men are writing poems, they're making up for something else like a big hair back, or one ball. Not that one ball is a bad thing. Especially since I don't know any females who are dying to their their hands on a set of balls. The way I see it, the less balls, the better.
I'm always writing towards a discovery. When I'm writing poems in particular, I'm often writing because a few images coalesced in my mind and I thought, "I wonder why these images are abrading against each other. I wonder what happens if put them in a poem and explore them." I'm trying to learn something every time I write a poem.
I've got to have something. I want to stop it all, the whole monumental grotesque joke, before it's too late. But writing poems and letters doesn't seem to do much good.
I'm not religious. I love what Clive James said the other day. James is a brilliant writer, but he keeps on writing poems on stuff. And he said, "God doesn't have a leg to stand on."
In grad school, a friend and I gave ourselves the task of writing poems in the voice of Beyoncé and Lady Gaga after they did the collaboration for "Telephone." I just kind of kept going. That was quite a while ago - Beyoncé meant something very different then than she does now.
There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I was writing poems as I was walking. I was able to take that restlessness, that nomadic distraction, and use that distraction in the world and turn that distraction into observations and then into poems.
For children: I'm writing a picture book about the Big Dipper and a novel about a cricket, a firefly and a vole. For grownups: I'm writing poems.
I didn't sit down then and start writing poems, but it was in the back of my mind.
Actually, my first literary heroes were the Romantic poets, so I began to get serious by writing poems. I have notebooks full of them that I cherish but am afraid to look at.
What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough.
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