I always wanted to make this film or another film. I thought the worst thing you could do was to react to Slumdog's success in some way. I thought it would be really foolish.
One of the things in the Mary Shelley [Frankenstein] is that the creature tells his story, so this begins with the creature's point of view. So, it literally starts with the creature opening his eyes and is born - but is obviously in his 30s. But because they're the creator and the created we thought it would be really interesting if they could look at each other every other night and play each other's roles.
I would love to play Marlene Dietrich in a movie. My dad's from Germany and so I feel like that would be a really interesting person to play.
I've found that I really don't like - as most people don't about school that there are subjects which are necessary to learn but you don't really want to learn on top of those ones that you do want to learn. So to take a class for me, a class or two on subjects that I'm really, really interested in and curious about would be awesome.
For me, trying to expand the energy to make one movie in Hollywood would be the equivalent in terms of energy to making 10 movies in Japan.
As we age, there are different things that become important to us and that means that different aspects of our character come to the forefront; certain aspects recede. And that's fun. It would be shitty to have to imitate myself.
But this is where you get all the market research and things get in danger of becoming formulaic, and where you depend on brands and getting recognised actors. It's the thing that precludes risk very often, otherwise everyone would be avant-garde all over the place.
I love Keri Russell. I watched every episode of Felicity, and Waitress is my favorite film from last year. She's just an amazing actress. And I like her voice a lot - it didn't surprise me that she would be doing voiceover work.
You've got to be able to know someone really well to be able to have a row and then also walk away from it and not have it matter, especially in this business. That doesn't mean to say we have many rows but I think the nearest thing to a row would be just flatly disagreeing with something .
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
So, if I ever played Napoleon it would be with an Italian accent. He was an outsider, which also interests me.
I don't think we would be specifically remaking "Child's Play 2" and "Child's Play 3". I imagine we'd be dreaming up whole new stories.
I never expected that, 20 years later, Chucky would be considered a classic, if I may invoke that term. A golden oldie anyway, something that people still care about 20 years later.
It could be Fascist, religious or political - it's always the same model that operates in these circumstances, and it's that which is the actuality of this film. Therefore, it's not specifically an explanation of German Fascism because that would be an impossible thing to do in any case.
With The Reader, I'd just be shattered at the end of every day really. I wouldn't really want to talk. We kept saying, because we were in Berlin: "If we get back at a decent hour, let's go and have a glass of wine." We'd always think it would be a great idea, but then get to the end of the day and then go [acts drowsy and blabs]. It was very difficult for everybody.
I think people would be up in arms. I think we would most likely have a similar situation to what happened in the 60s. I don't know if it would be as violent, I think it would be difficult to say that. But I think that, from what I can understand, our nation as a whole is largely against the war as it stands.
Well the thing is, once you have a snow leopard it's difficult to go back. Everything is going to be slightly disappointing. It's very telling what your choice would be. Because that's probably how you see yourself. We used to play that game as kids and you'd say if you were animal what would you be and it'd usually be the opposite of what it should be. But all animals have got their virtues. You know, cockroaches got virtues.
I've done movies in the past that have so many characters and I find it's very hard to follow all these stories. You end up not caring about any of the people and I thought that would be the case in this film, and you had these big speeches for each character, you know, it's like "God that's how you'll have to cut that down in order to paste it all", to edit the movie and my representatives could say "no, you really you ought to check it out.
The practical answer is, no it would be totally impossible for young or foreign people to get access to roof of a building that stands in the heart of a giant city and to put a cable across.
You can always find a way to do something. Now, of course, when I do the action, it's an action that inspires people, it's a gift to people, it's not the other way around, I do not take something, I do not hurt people. Yes, I think today would be more than impossible and yet part of me would think that I continue to think that nothing is impossible.
Dieter Dengler was an amazing man. Who knows what he would've been had he not ever been tested in this way? It's a question that I certainly have myself. What would I be able to do in certain situations? He came out, obviously, looking like a true hero, but he didn't go in looking like that. He was not your typical image of somebody that you would think would be the tough guy who was able to endure. His lighthearted attitude, this sort of dorkiness, and naivete; it ended up being the finest tool for his survival.
I've always thought I've got to work and I want to work. When I was younger I had friends who on a Saturday would be going out to the shops but I was working from 8.30am to 6.30pm. I w
Adoption was something that was always under my skin, that I knew would be a part of my life, and, when I decided to start filing, it was very clear. It was like I knew that this was exactly what it needed to be. So then you go through the process, and it's tough. It's not the easiest process - and then again, I've never liked things too easy in life. But it emotionally knocks you out.
When I got the job I thought about her a lot. Not only was I getting a great job in a really good movie, but it was with Lindsay Lohan. She's so famous and I don't have any of that, I have never experienced that kind of intense scrutiny that she's under, so of course I wondered what it would be like acting opposite her. I can tell you that it's like being with The Beatles. You cannot fathom the kind of attention she gets. It's mind boogling.
Clearly, there's a real onus on you to do something correctly when everybody, at least in the United States, had a really clear, specific idea of what this guy looked like - and even more so, what he looked like as Clark Kent and as Superman. You have this whole vast audience of people who would be acutely aware of any deviation whatsoever and probably holding you to a slightly higher standard as a result.
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