I've always loved my own little office spaces no matter what they were like. It's the Virginia Woolf, room of one's own concept, it's really important.
Each time I undertake to reread Virginia Woolf, I am somewhat baffled by the signature breathlessness and relentlessly "poetic" tone, the shimmering impressionism, so very different from the vivid, precise, magisterial (and often very funny) prose of her contemporary James Joyce.
In other words, [ H.P. Lovecraft] was areligious, asexual, neurasthenic, he just didn't want to react to the world. Like Virginia Woolf, who considered religion the ultimate obscenity.
There's a great quote about Virginia Woolf, she had the same spiritual stake in her diaries as she had in her writing.
I fell in love with Virginia Woolf in college. I especially admire how well she writes about daily life, how she captures so much meaning and consequence in the smallest details of a day.
If you're writing an opinion piece, it's your job to write your opinion. If, on the other hand, you wrote a novel, as Virginia Woolf tells us, it would be inappropriate if you let your novel be influenced by your political opinions.
I woke up full of hate and fear the day before the most recent peace march in San Francisco. This was disappointing: I'd hoped to wake up feeling somewhere between Virginia Woolf and Wavy Gravy.
It's rather splendid to think of all those great men and women who appear to have presented symptoms that allow us to describe them as bipolar. Whether it's Hemingway, Van Gogh... Robert Schumann has been mentioned... Virginia Woolf, Sylvia Plath... some of them with rather grim ends.
She pulled off Virginia Woolf's To the Lighthouse and settled down in a comfortable leather chair by the fire to read.
I think the kind of unexpected I really love is when you open books and the actual way of writing is different and interesting. Like reading Virginia Woolf for the first time or Lawrence Durrell for the first time.
As an actor, to go and see those shows - great plays like 'Who's Afraid of Virginia Woolf?' and Clifford Odets's 'Golden Boy' - it's so exhilarating. I'd personally love to perform the role of Jerry in Edward Albee's 'The Zoo Story.' He's a transient, lost soul, and an example of humanity at its rawest.
Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.
Virginia Woolf's great novel, 'Mrs. Dalloway,' is the first great book I ever read. I read it almost by accident when I was in high school, when I was 15 years old.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
Leonard Woolf in a letter to Lytton Strachey said he hated John Maynard Keynes "for his crass stupidity and hideous face".
Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: "I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going.
Who was it who said that every virtue contains its corresponding vice? C.S. Lewis? Virginia Woolf? You forget. But it has always worried you that what the virtue of wit contained was the vice of scorn.
I like reading... French, Russian classics - Gogol, Tolstoy, Dostoyevsky, Flaubert. I also like Hemingway, Virginia Woolf.
Woolf wanted to say dangerous things in Orlando but she did not want to say them in the missionary position.
My role models were childless: Virginia Woolf, Jane Austen, George Eliot, the Brontes.
At the risk of sounding like Virginia Woolf, I could live on £700 a year.
Of Virginia Woolf: The talent of this generation which is most certain of survival.
I usually have more than one thing I'm working on at once -- I've been working on three different novels. When I get stuck on one, I hop back and forth. It's sort of freeing: I can say I'm abandoning this thing that I hate forever and I'm moving on to something that's good. I'll find that I'll go back to [the other project] in a day or a week and like it again. But that moment of wanting to trash something -- that Virginia Woolf moment when you have to be stopped from filling your pocket with stones -- comes pretty regularly for me. Switching is probably a good thing.
An otherwise happily married couple may turn a mixed doubles game into a scene from Who's Afraid of Virginia Woolf.
It's impossible to read a distinctive stylist like Faulkner, Joyce, Kafka, Mann, Woolf, James - and many more - without wanting to write, however entirely different one's writing will be.
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