Yeah, I love living in New York, man, and people who live in New York, we wear that fact like a badge right on our sleeve because we know that fact impresses everybody! I was in Vietnam. So what? I live in New York!
The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
I did go to Vietnam in 2000 as a kind of pilgrimage and to feel my generation was very much a part of this. I felt responsible but also connected and empathetic. It was a very complicated relationship we had, whichever side you were on. The shock of being there was very few people my own age - I was primarily in the North in the streets of Hanoi. A whole generation was essentially decimated.
The responsibility for the risks we posed to others in some of our most extreme actions in those underground years never leaves my thoughts for long. The antiwar movement in all its commitment, all its sacrifice and determination, could not stop the violence unleashed against Vietnam. And therein lies cause for real regret.
When I wrote War Against the Mafia as a Vietnam statement, I didn't expect much to come of it-but quite a bit came and it captured me. I continued the books to feed the obvious hunger that was there for heroic fiction.
Before I became President, in the aftermath of the Vietnam War, there had been fairly dramatic, and I think excessive, reductions in the capability of our military forces, and as a former military man myself - I was a professional naval officer, a submarine officer - I thought it was better, on a step-by-step, very carefully planned way, to increase the technical, or technological, capability of our weapons systems.
What we do with this peace-whether we preserve it and defend it, or whether we lose it and let it slip away-will be the measure of our worthiness of the spirit and sacrifice of the hundreds of thousands who gave their lives in two World Wars, Korea, and in Vietnam.
The American people today are involved in a warfare more deadly than the war in Vietnam, but few of them seem aware of it and even fewer of them are doing anything about it. This is a war that is being waged against the American environment, against our lands, air, and water, which are the basis of that environment.
I remember serving in Vietnam in that war, and many of us at the major Lieutenant Colonel, colonel level were frustrated that no one in the U.S. wanted to debate it that way.
Our young men in Vietnam have not only acquitted themselves in an outstanding manner during combat operations, but they also have been outstanding ambassadors of goodwill in the vital civic action and pacification work among the tortured populace of South Vietnam.
But despite their heroic acts, the Vietnam Veterans of America continued to struggle to establish a combat badge in honor of these brave pilots and medics.
I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.
There was a generation of kids who were just kind of emulating distant heroes and wearing peace symbols, and parents who were thinking of themselves as liberal and removed from barbarity, but it also was the era of Vietnam. I very much was influenced - and I think the whole country was kind of in a state of shock - for the first time seeing the horror and cruelty of war.
I'm a child of the '60s, I came of age then. I went to a couple of demonstrations, and then in the late '60s when the Vietnam anti-war movement grew as the Vietnam War was heating up, I became very involved in that.
Nixon's genius was that he was able to portray himself as the toughest of the anti-communists, and yet run on a platform that he had a plan to end the Vietnam War. And, of course, his plan was to prolong it until his second election - but he didn't tell us that then.
Did you know that the percentage of young people in the crucial 'youthquake' age bracket of 15 to 24 was higher in 1973 than in 1967 ? Therefore it was glam rock that ended the war in Vietnam.
We forget now, but during his life, Dr. King wasn't always considered a unifying figure. Even after rising to prominence, even after winning the Nobel Peace Prize, Dr. King was vilified by many, denounced as a rabble rouser and an agitator, a communist and a radical. He was even attacked by his own people, by those who felt he was going too fast or those who felt he was going too slow; by those who felt he shouldn't meddle in issues like the Vietnam War or the rights of union workers.
Since I was a kid. I had this series by Ballantine Books about the history of World Wars I and II. In my 20s, it was the Vietnam War literature of novelists like Tim O'Brien, Philip Caputo, and Tobias Wolff, and then nonfiction such as "A Bright Shining Lie" by Neil Sheehan and "The Best and Brightest" by David Halberstam . Those are the two best histories of Vietnam.
I like automatic weapons. I fought for my right to use them in Vietnam.
I'm old enough to remember John Kennedy sending a few advisers into Vietnam. I'm very worried we'll get in and we'll get mired down in something we don't have any idea what to do [with].
I say openly that I am an anti-war person, with the point being, show me some reason not to be against this war. You have to be sort of asleep at the switch not to be critical of it. And the parallel between one quagmire we went through in Vietnam and the one we're in now is clear for everybody to see.
I'm shooting a gangbanger, but as a dignified man. That's pretty much what war photography did: seeing images of soldiers in a dignified way. They might have been killers in Vietnam, but I'm seeing another side of them, and looking at images of the the American soldiers, also the North Vietnamese and the Viet Cong - I never saw an enemy.
Philip Jones Griffith documented the Vietnam War, and through his images that were published in Time Life Magazine, it showed me the horrors of war and at that time, I wanted to be a war photographer, based off his work.
Path To War was the last thing that John Frankenheimer directed, I think, before he died. I'm a huge U.S. history buff, and I studied the Vietnam era in college, so when I read the script, I was, like, "I really want to be in this thing so badly..."
The idea of accountability in Vietnam, Nicaragua and now Iraq - the media never has that in its quiver. When you see time after time there is no possibility of Nuremberg [war crime trials], we're doomed to have it repeated.
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