I won't do anything bad, and I resent very deeply bad people who haven't got the ability, who try to interfere with the kind of work I'm trying to do because nobody's going to benefit from it.
People mistake their love of the technology for it being a solution. Social media is the problem, not the solution, in crisis management. It's a problem if you use it to communicate in areas where you're dealing with incredibly intense emotions and very deep conflicts.
I think it's a greater risk not to write about 9\11. If you're in my position - a New Yorker who felt the event very deeply and a writer who wants to write about things he feels deeply about - I think it's risky to avoid what's right in front of you.
We are still in various kinds of patriarchal systems. The very definition of patriarchy is that men control women as the means of reproduction, so the idea that a woman's main role is to have children often means society wants more workers, more soldiers. The idea that how many children we have should be controlled by the family, the church, the nation - by anyone but women themselves - is still very deep and very strong.
I'm very careful with my emotions, and I don't let them run free. If I'm upset, it's usually for a very good, very deep reason.
My mother was someone that walked into a room and lit it up. She made friends easily and she communicated her enthusiasms with great joy. I always wanted to be more like my mother than I am. I loved and admired her very deeply.
I love my own culture. I love my African-American culture very deeply, and I know it deserves to be honored. You have to be aware that people are suffering unjustly, and given our own history we have a duty to stand for the people who are being treated like our parents and grandparents and children were treated.
Most actors are very deeply passionate about their line of work. I suppose there are probably people who sell insurance policies that are passionate about it, but I'm thinking the ratio is a little higher for actors. But, I may be wrong.
I'm aware of what I am, but I focus so much on myself as a musician and as an artist that I don't even notice that I'm the only female on a festival bill. I'm just like "oh I'm playing this festival."I haven't been very deeply involved in this greater outreach because my approach to equality is integration. I'm not into separatism, or an all-female festival. It's good and empowering but it doesn't allow for the bigger picture to get accomplished. We all need to be at the same festival - that's always been my approach.
A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very 'deep' things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published.
Perhaps the most demanding trick in all of art is to know ways that are going to capture the attention of an audience right now, and yet to also hold an audience hundreds or thousands of years into the future in circumstances you just cannot imagine. You've got to go very deep into human nature to do that.
When you have a dream that you can't let go of, trust your instincts and pursue it. But remember: Real dreams take work, They take patience, and sometimes they require you to dig down very deep. Be sure you're willing to do that.
I'm also looking for the psychological elements that fuel commodity culture. For example, if we imbue girls with deep insecurity about their bodies through images of an impossible ideal, we create a really vulnerable and avid consumer. If somebody feels that they're not OK without a certain product, you have a very deep and loyal market that will come back to the product again and again. Sometimes, this process is both rational and irrational.
I think the relationship between memory and time is a very deep and tricky one, to tell you the truth. I don't consider memory another sense. I do consider memory that which allows us to think that time flows.
People who have only good experiences aren't very interesting. They may be content, and happy after a fashion, but they aren't very deep. It may seem a misfortune now, and it makes things difficult, but well--it's easy to feel all the happy, simple stuff. Not that happiness is necessarily simple. But I don't think you're going to have a life like that, and I think you'll be the better for it. The difficult thing is to not be overwhelmed by the bad patches. You must not let them defeat you. You must see them as a gift--a cruel gift, but a gift nonetheless.
I came to magic absolutely hating magic on a very, very deep level.
Sometimes, in the trenches, you get the sense of something, ancient. One trench we held, it had skulls in the side, embedded, like mushrooms. It was actually easier to believe they were men from Marlborough's army, than to think they'd been alive a year ago. It was as if all the other wars had distilled themselves into this war, and that made it something you almost can't challenge. It's like a very deep voice, saying; 'Run along, little man, be glad you've survived
I was in a very deep, dark slump, and I needed to find a way to get myself out of it. I had to force myself back out into life, back out into experiencing things.
On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character; the second one you start to explore the character a bit more.
It takes a very deep-rooted opinion to survive unexpressed.
Some people study a text very deeply. The people are my text. I study their words and what their words sound like, over and over again. When I was a kid, my grandfather said that "if you say a word often enough, it becomes you." Thinking of that later in life gave me this idea that I could try to become America by learning the words of people from many aspects of the country. It doesn't matter how educated they are. By living in the world and living their experiences, they bring extraordinary truths. I try to do those truths justice.
Josh pulls me aside. "Hey, About before, I just... I wanted to say ... well, I think you're pretty special." He says, kind of stumbling over the words a little. Like he's hesitant to say them, now i wish he'd hug me again. And then kiss me. But he doesn't. He just waves and walks off. I sigh. "Hannah, I just... I want you to know if I pause alot when I tell you how special you are I want you to think that I'm... very... very... deep," Finn says
You're going to have to drive off the road and park behind thoses bushes," I instructed Vee. Vee leaned forward, peering into the darkness. "Is that a ditch between me and the bushes ?" "It's not very deep. Trust me, we'll clear it." "Looks deep to me. This is a Neon we're talking about, not a Hummer.
I have a very deep concern about President Obama putting in another 21,000 troops into Afghanistan with the promise of more to come.
Contemporary architects tend to impose modernity on something. There is a certain concern for history but it’s not very deep. I understand that time has changed, we have evolved. But I don’t want to forget the beginning. A lasting architecture has to have roots.
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