All of my short films are about marriages, and I think that this probably comes from some kind of unconscious fascination with my parents' story and what they went through.
I think there are dozens or hundreds of different forms of creativity. Pondering science and math problems for years is different from improvising jazz. Something which seems to me remarkable is how unconscious the creative process is. You encounter a problem, but can't solve it.
The purpose of ritual is to wake up the old mind in us, to put it to work. The old ones inside us, the collective unconscious, the many lives, the divine eternal parts, the senses and parts of the brain that have been ignored.
The representational-image urge is actually a kind of heightened perception, and I don't stop to think. I don't freeze up - it's actually a kind of letting-go. It's like dancing. At a certain point it's conscious, unconscious, everything is kind of coming together.
A temptation is the universe's gracious way of allowing a soul to evolve without creating negative karma. In other words, a temptation is like a magnet that draws to awareness, negativity, that would otherwise create negative karma if it remained unconscious. A temptation is a dress rehearsal for a negative karmic act.
It is important not to force a character into something. Fiction writers can be too controlling - usually that's a terror of our own unconscious processes.
I always resist seeing my own personal motivation in my work, but I guess it must be there on some level. And I do feel very much that my life follows the kinds of things I talk about in my books. I've always thought of myself as an insanely lucky person, so perhaps the success of my first two books led me to want to examine this phenomenon on some unconscious level.
A sick man, surrounded by those who love him, nursed by those who wish earnestly that he should live, will recover (all other things being equal), when another patient tended by hirelings will die. Doctors decline to see unconscious magnestism in this phenomenon; for them it is the result of intelligent nursing, of exact obedience to their orders; but many a mother knows the virtue of such ardent projections of strong, unceasing prayer.
Much more than an entertaining set of exaggerated facts, fiction is a metaphoric method of describing, dramatizing and condensing historical events, personal actions, psychological states and the symbolic knowledge encoded within the collective unconscious; things, events and conditions that are otherwise too diffuse and/or complex to be completely digested or appreciated by the prevailing culture.
If you don't have your unconscious working for you, you're really out of luck as an artist.
Every civilization must contend with an unconscious force which can block, betray, or countermand almost any conscious intention of the collectivity.
This new large-scale spiritual awakening is occurring primarily not within the confines of the established religions, but outside of those structures. Some of it, however, is also happening within the existing churches and religious institutions wherever the members of those congregations do not identify with rigid and exclusive belief systems whose unconscious purpose is to foster a sense of separation on which the egoic mind structures depend for their survival.
Not only Freud but artists and writers were also interested in the unconscious. It was medicine that made the first steps toward modernity.
The emotional aspects of a wilderness experience might be compared to a religious experience. It is particularly valuable for those people whose unconscious associations of pain and discomfort in relationships to man render a deity in human form impossible. Christianity is unacceptable to some people because of the use of the human symbol, but some who can't accept Christ can gain a tremendous sense of peace from relating to uncontaminated areas.
No one begs you to be a poet or write a 1000-page poem. You have to be fueled by a drive, a conviction - a need, a necessity, a vision that is so pressing that it has no other outlet but through you. That doesn't mean that you are unconscious or in trance, but there can be moments like that.
We're finally becoming aware of a process that has been unconscious since human experience began. From the start, humans have perceived a Birth Vision, and then after birth have gone unconscious, aware of only the vaguest of intuitions. At first in the early day of human history, the distance between what we intended and what we actually accomplished was very great, and then, over time, the distance has closed. Now we're the verge of remembering everything.
All the lies and evasions by which man has nourished himself civilization, in a word is the fruits of the creative artist. It is the creative nature of man which has refused to let him lapse back into that unconscious unity with life which characterizes the animal world from which he made his escape.
Whatever his secret was, I have learnt one secret too, and namely: that the soul is but a manner of being - not a constant state - that any soul may be yours, if you find and follow its undulations. The hereafter may be the full ability of consciously living in any chosen soul, in any number of souls, all of them unconscious of their interchangeable burden.
The other thing in composition is opening up the unconscious.
A major character has to come somehow out of the unconscious.
The magical approach is indeed the natural approach to life's experience. It is the adult version of childhood knowledge, the human version of the animals' knowledge, the conscious version of 'unconscious' comprehension.
No matter how honest scientists think they are, they are still influenced by various unconscious assumptions that prevent them from attaining true objectivity. Expressed in a sentence, Fort 's principle goes something like this: People with a psychological need to believe in marvels are no more prejudiced and gullible than people with a psychological need not to believe in marvels.
So much of a novelist's writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them.
I think that when you go on a shamanic journey, you're allowing yourself to have much more access to your unconscious or your sense of connection within the universe, whatever you want to call that. You've accessed places in your brain that you don't normally. You're still there - it's your brain. But you have access in a way that you normally don't. For me, doing that felt like being in a new environment.
What I enjoy most about doing voiceovers is that you can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.
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