There are just times when your body and your soul feed into a character and you somehow meet at the point where that character truly lives in you. It happens in plays, in TV, in films.
I like TV in the way that it moves quickly, I like the pace of TV because I'm that type of actor. I like to go-go-go. I don't have to do 50 million takes of something. I guess I'm not that patient. I really like the pace of it.
I'm part of the first generation who grew up with manga [comics] and anime [animation], you know, after 'Godzilla.' I was absorbed with Ultraman on TV and in manga. The profession of game designer was created really recently. If it didn't exist, I'd probably be making anime.
I'm not into those shows like "hey everybody, gather round the TV, let's watch The Simpsons!" I'm not one of those guys: "I gotta get home, man, Family Guy's on! I gotta race to my TV before I miss the episode of Family Guy!" I'm not one of those guys.
When you see a black guy on TV, he's always a thug or always portrayed as someone that's in trouble. It spreads the message to everyone else that that's who we are. People often don't try to understand black men as a whole. We're creative, strong and influential.
In 10 years, I'm gonna be all over. I'll still be doing mad music, I'll be doing a couple movies, maybe some TV. Hopefully coaching some of my son's sports teams and be in heavy daddy mode.
TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
Pop culture, commercials. You only come across a commercial if you're watching a TV all the time. I've never been all that upset. I like hearing the songs. I guess I've never been all that caught up in it.
I put my energy into writing songs. I have to carve out a living somehow doing this, and licensing is one way. It's hard to register what's "too much" for other people. I don't watch TV, so it's tough for me to gauge. I just take it as it comes, and don't put a whole lot of thought into it.
When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.
We may not have a sample size larger than one, or we may not have unlimited resources - it's a TV show, and we generally turn these things around in about a week or so.
Of all the disciplines involved in making anything - TV, film or anything I do - the writing is the most valuable commodity.
I think it's all independent films. There aren't any! If they were looking for me when I was making Polyester, then it'd be perfect, but they're not. I'm not looking for that. TV is much bigger and better now; far more people see it.
There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
I am passionate about a few things, of course acting, films/TV and improving the lives of youth in urban communities.
I want to use film to tell stories that need to be told to spark discussions that will lead to change. I really want to see a change in the mindset of youth, how they see themselves and how they value life. Young audiences will be able to see themselves in this film and older audiences will gain an understanding of what their kids are dealing with on a daily basis. Kids discuss what they see on TV, social media, film so I want to create content that they will discuss and will change the way they think.
Government and politics isn't like a reality TV show. It's not about voting the bad guys out of the house. You know, it's about what do we need to take our country or our state or our city forward? And people, frankly, would be well advised to really get back into understanding politics.
When I saw Tyson knocking everybody out on TV, I thought, He's goooood. But when I saw him in person, he didn't look as awesome.
Power is not just for TV sets and charging mobile phones. This electricity is critical to the industrial development of this area. If there is electricity, small scale industry will grow.
As an actor, you very rarely have the experience of picking up a script and getting a few pages into it and realizing that what you're holding in your hands is not just a role on a TV show, but it's one of those special parts that comes along, once or twice in a career. If you're lucky, you get an opportunity to do something really memorable and to be part of one of those rare shows that passes into that special category.
I realized that even in a world of proliferating media venues, online and in print, and on TV and on countless cable channels, the idea that I could be considered an expert on chronic knee pain was I think troubling for society, but very exciting for me.
If you look at the whole world now it's just computer games, graphic novels, film, TV spinoffs, spinoffs of spinoffs like Deadpool spinning off of Wolverine. So I think that any kind of smart producer looks at all of those bases. Once it comes down to the integrity of it audiences are very smart, they smell that they're just kind of being played.
I just saw Twilight on TV, for the first time, a few days ago, and, when my song came on, I was just thinking that is so bazaar that I actually had a song in the movie.
One of the tricks that you have to learn, with episodic TV, is you don't know how many years you're going to be blessed with.
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