There's great stuff out there, but I prefer doing a TV show, going to work every day with the same people, and a lot of stuff is not being shot in Los Angeles and I don't really want to do that because my loved ones are here.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
I love when people in culture show up on fictional TV shows. I don't mind at all being a name from the '90s.
Colin Morgan gives a stunning performance in Parked; he plays Merlin in the BBC TV show and he says the two characters are like night and day. Watch him. He’s got everything it takes to be top notch.
Every TV show I've ever made, every game I've ever built, and every book I've ever published has had the common thread of building the biggest, brightest spotlight imaginable and then flipping it around to shine on you.
Yes, I met Carl Barat [from Dirty Pretty Things] yesterday when I was at the POPWORLD TV show. He smiled at me and watched 5 minutes of my performance. I don't think I've said anything that bad about anyone, though, to be honest.
TV show is always challenging. It's challenging when you have all of the time and money in the world, and it's more challenging when you have less money.
There was a TV show called Thank Your Lucky Stars, with the catchphrase "I'll give it five!" The Beatles and Stones were so popular when they were on it. One week The Beatles were number one and then the Stones were right on their heels.
I feel connected with people because of their sense of humor, worldview, and what they think and feel about certain existential issues (things not affected, in my view, by if someone rides a horse or drives a car or talks only IRL or only by typing), not how old they are, what they use to convey what they think and feel about certain existential issues, or if we have both watched the same TV shows or looked at the same websites.
I think being on a TV show is amazing but also, people get kind of used to seeing you a certain way and so it becomes a challenge to break free from that in a way.
You can't flood the market with every TV show, every reality show, and dump your library into the market all at one time and not have some kind of game plan in terms of pricing.
Many people can't deal with unanswered questions, which religion exploits by providing answers, even if they are just made up by someone. This is also why we love TV shows and movies that neatly wrap up everything in exactly an hour or two.
Inspiration comes from so many sources. Music, other fiction, the non-fiction I read, TV shows, films, news reports, people I know, stories I hear, misheard words or lyrics, dreams
I'd like to go the Cher route and act and sing and write and have a TV show and do it all.
As journalism dies, I kind of feel like I want some skills besides writing. I'd like to be able to write movies or host TV shows or whatever. Things that I might actually not inherently like quite as much, but are interesting and fun things to do. A good backup plan.
In the end, all critics should be guided by this one principle: Is this piece of work [TV show, movie, play, concert, album, restaurant] succeeding at what it set out to do?
We just haven't found Bigfoot because the world is big. And the woods are deep. The more TV shows that we can get where people go out looking for Bigfoot, the better our chances are. So let's get more of those shows going.
One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.
I definitely felt frightened [on Skyfall], but never in danger, because they were always so careful about everything. Some of the driving, particularly on that road around the sheer-drop cliff was actually done by stunt driver Ben Collin, who is otherwise known as The Stig from the TV show Pop Gear. He's a brilliant drive, nonetheless, it was terrifying to be careening along when a wrong turn would mean a thousand-foot drop and you're not in control and you want to slow the car down.
There are so many shoot-'em-up, action, jingoistic TV shows and movies that are made every year. I think the final line is that Hollywood is populist.
I like working on the house, small carpentry stuff. I also like working on the van. That's about as quiet as my mind gets, I think. I always loved working on the How's Your News? TV show and at Camp Jabberwocky too.
I'm really excited about my TV show. I wrote it with my best friend.
In other films and TV shows, we might say, "Well, they're just evil." In our show [Daredeval], we're trying to say, "There's bad actions, but not necessarily bad people."
Unlike other books or TV shows or sometimes life, my narrative worlds are stripped of implicit moral centers. There is only what you bring. That makes the characters risky in every way and the narrative, a journey of change for the reader. But I make the journey as fun as I can.
My biggest surprise of the year does involve Donald Trump and it involves his money. And I am one of the prominent disbelievers of his claims of wealth and how rich he was. He put out a press release before he did his financial disclosure form saying he made over $200 million from a TV show.If you know about the economics of televisions, that sounds impossible. I don`t believe it.
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