I think the progressive audience that loves Star Trek will be happy that we're continuing that tradition being progressive and all-inclusive. Star Trek's not necessarily a universe where I want to hear a lot of profanity.
I feel like it's not so much a tradition as a system that has been codified over the centuries starting in the Renaissance that applies to any painted surface. So if you're engaging in paintings, this is the language that one has to learn and is obliged to speak. I was very fortunate that I learned this language when I was a kid before I went to California, where I learned the language of attitude. Somehow the two things began to coexist.
My poems are certainly in the lyric tradition, but perhaps a reader can tell me more precisely who I am as a poet. How can I be so old and not know? I have always been deeply grateful for the urge to write, the desire to create, that's certain. Writing has always been the way I make sense of life. Perhaps my poems define me, rather than the other way around. They do constantly surprise me.
Each generation is tough! I'm still learning my generation. The desire to connect has to be present and evident. My generation thrives off of transparency and we can see through inauthenticity. On the contrary, we cling to what is real and genuine. While tradition and customs are important in their place, it's also important to be able to meet people where they are and speak their language a little bit. If this isn't done, you'll have a very difficult time connecting with young people.
When Europeans came to the New World the first thing they said is, well, Indians don't appreciate property. They're savage. They're backwards. They're uncivilized. ... Nothing could be farther from the truth. Tribes have very clear conceptions of their traditional boundaries, they maintain their rights and their claim sovereignty over the lands according to their own honored traditions and tribal elders. And so, you can go out there on the reservation, and there might be a reservation boundary established by the United States. But then there's traditional land boundaries.
Religious life is not going to go away. It will take a different form. Why am I so sure it's not going to go away? Because there are people whose personalities and gifts, and interests and soul, are simply immersed in living this kind of a spiritual lifestyle. That only makes sense. If you can live an artistic lifestyle, why can't somebody live a spiritual lifestyle? We've always, in every single great tradition, had a percentage of the population that stands in the middle of us being the beacon that calls us to realize that the spiritual life is an essential part of every life.
There are hard texts in each tradition which we must confront and ask ourselves, 'Can we reinterpret those texts to allow us to live peaceably, and respectfully, with people of other faiths?' That is a job only Jews can do for Judaism, only Christians can do for Christianity, and only Muslims can do for Islam. But sometimes the sight of someone in one faith wrestling with that faith can empower you to wrestle with another faith.
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury. The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes. Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
I have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.
I started playing polo when I was nine years old. I'm from Argentina, so in Argentina polo is more of a common thing. We have a lot of horses and a polo tradition and it's something that goes from generation to generation.
The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.
There's definitely a melancholic ingredient in our concerts in the United States versus in other places. Many times people feel far away from their place of origin, from their traditions, from their people. And in a way, Café Tacvba's music brings them memories. It seems to connect them with all that they miss, because the concerts are very emotive and have lots of energy. We're very fortunate to have our music connect in that way.
Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.
The Western music tradition is mostly addressed to a public that has a critical mind, and judges the quality of the writing, of the interpretation. And I think it is a great tradition! It pushes the musicians to always go further, and to never stop pushing the limits and explore what can be done with sounds. And great pieces of art were born from that tradition.
It is clear that friendship is by and large crucial to human life. And I believe, in contrast with most of the philosophical tradition deriving from Aristotle, that it is not limited to a very few perfect individuals.
I have no expertise of other religious traditions so I'm not going to opine on them, but in Islam the more you know about the religion, the more likely you're going to go to hell. Many people will find that paradoxical because we tend to think of religion as a way of making ourselves feel better and a way of damning and excluding infidels or reprobates or heretics or what have you. It was very hard for me to find an Islam that belongs to me and doesn't feel like it's been imposed on me.
Barcelona, the tournament is, for all the Spanish players, an amazing event. I think is one of the top events on tour because is a historic event with a lot of tradition. A lot of years of the tournament, a lot of great players have been playing there. And it's in a real tennis club.
The gay rights movement of recent years has been an inspiring victory for humanity and it is in the tradition of the civil rights movement when I was a young boy in the South, the women's suffrage movement when my mother was a young woman in Tennessee, the abolition movement much farther back, and the anti-apartheid movement when I was in the House of Representatives. All of these movements have one thing in common: the opposition to progress was rooted in an outdated understanding of morality.
We should stand by our allies, but we should also stand by our ideals and work with our allies and encourage them to live up to the democratic institutions and traditions that they enjoy.
We focus on bringing back Indigenous languages, ceremonies, cultures, traditions - all that was lost over the past 150 years. This is how we'll generate hope - for all Canadian people.
Donald Trump hasn't been specific, but if you go back over some of the campaign rhetoric, well, obviously, there's the bully pulpit, just publicly shaming out-sourcing companies. And that again is not new to Trump. If you remember, back in 2004, John Kerry was making noises about Benedict Arnold CEOs in a similar context. So, that's got a long and gloried tradition.
Any country is hard to govern, even a very small country. It's not a question of whether the country is large or small. It's a question of how you relate to the work, to what extent you feel responsible for it. Russia is also hard to govern. Russia is at the development stage of both its political system and the creation of a market-based economy. It's a complicated process, but very interesting. Russia, actually, is not just a large country, it's a great country. I mean its traditions, and its cultural particularities.
Our intention is to develop more subtlety in contemporary electronic sounds. We don't like nostalgic projects. We have disparate interests and many philosophical concerns. In the past 10 years, I have realized music in the classical tradition - I have composed for strings, brass, and electronic, and alp-horn!
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
I traveled around America and then at nineteen, went to Europe and hitchhiked from London to the Himalayas in India. I studied various forms of Christianity, Judaism, Islam, and in India, various forms of Buddhism and Hinduism. Eventually, I came to the path of unconditional love and devotion to the one God, who in our tradition we call Krishna. I met my guru and became a swami. This allowed me to share that gift, which I consider to be a very deep universal expression of compassion.
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