Did he say:"Hullo,Pippin!This is a pleasant surprise!"?No,indeed!He said:"Get up,you tom-fool of a Took!Where,in the name of wonder,in all this ruin is Treebeard?I want him.Quick" -Pippin Took
I talked with Tom Hanks. I saw that movie 'Turner and Hooch' at least 50 times. It took all my guts to go up to him. I went up to him, I was like, 'Can I have a picture?' We talked acting; he wanted to know what I was doing. We talked a little tennis. I mean, he knew all about myself and my sister.
One of the reasons why language is so sick right now and cliché-ridden and lame and boring and laid-out, and about to go to sleep, is because there aren't a thousand Tom Clarks. If I were writing a prescription right now, you know, if I had my shiny thing here, a stethoscope around my neck, that's the prescription I'd write. Take one thousand Tom Clarks before going to bed.
I don't have the Tom Hanks fans. When you make the kind of movies I make, you get weird letters from people.
At its best, the US Open demands straight drives, crisp iron shots, brilliant chipping and putting, and strategic position play. Plus the patience of St. Francis and the will of Patton. At its worst, the Open eradicates the difference in ability between a Tom Purtzer and a Tom Watson and throws both in the same jail of high rough and high risk shots. This is the disturbing tendency in the Opens of the seventies and eighties, one which worries everyone in golf.
Amen, sister, ... All apologies to Tom Cruise.
We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If colored people are pleased, we are glad. If they are not, it doesn't matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.
Obviously, I’m kind of loyal to Tom [Welling] because that’s who I work with so to me he’s my Superman.
Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought.
In Alien, Sigourney Weaver's role was written for a man. In Salt, Angelina Jolie's role was written for Tom Cruise. These things, when reversed, do prove to be just as exciting and entertaining with women in leading roles.
For many years I had an impression of my golf swing, which was that I vividly resembled Tom Weiskopf in the takeaway and Dave Marr on the downswing. Unfortunately, there came a day when I was invited to have my golf swing filmed via a video camera. Something I will never do again. When it was played back, what I saw - what you would have seen - was not Weiskopf and Marr but a man simultaneously climbing into a sweater and falling out of a tree.
Giving feels good, but it's also good for the bottom line. Charity is a viable growth strategy for a lot of companies. Our customers get excited to be a part of what we're doing. If you ask anyone wearing Toms how they first heard about us, most won't mention an advertisement; they'll say a friend told them our story.
I think it may have been Tom Wolfe (if it wasn't, my apologies, Tom, and my apologies to whoever it was) who said in print once, 'David Carradine lives the life that Hunter Thompson only writes about.'
Republicans don't have to accept evolution, economics, climatology, or human sexuality, but I just watched a week of their national convention, and I need them to admit the historical existence of George W. Bush. If your party can run the nation for eight years and then have a national convention and not invite Bush, Cheney, Rumsfeld, Colin Powell, Karl Rove, or Tom DeLay, you're not a political movement, you're the witness protection program.
When you're buying a pair of TOMS, if you don't feel like you're part of a community, then I've failed.
Whatever class and race divergences exist, top cats are tom cats.
I don't use those terms [like Uncle Tom], and I would never speak in that kind of language.
The disruption caused by globalization and technology (what Tom Friedman calls hyperconnectedness) will be around for the rest of our professional lives.
The book that I wrote is called Dark Money, and it's about secret spending that is very hard to follow. [George] Soros's whole thing is about government transparency, so he spends very much in the open, and the same with [Tom] Steyer.
There's a difference between those two [George Soroses and the Tom Steyers] and the Kochs that I think is important.
When I got the job, I was sure that I wasn't going to get the job because Tom Cruise almost got the job.
This act of empathy, that women go through from the time we're little girls - we read all of literature, all of history, it's really about boys, most of it. But I can feel more like Peter Pan than Tinker Bell, or like Wendy. I wanted to be Tom Sawyer, not Becky. And we're so used to that act of empathizing with the protagonist of a male-driven plot. I mean, that's what we've done all our lives. You read history, you read great literature, Shakespeare, it's all fellas, you know?
[Tom] Steyer is specifically spending money on candidates who will take action against climate change.
I'd like everyone to imagine a world where you get a job as Tom, and then the next day you're Tina. Imagine you're in the world where you love what you do, but people say that you can't be who you are.
Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
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