It is my thesis that flying saucers are real and that they are space ships from another solar system.There is no doubt in my mind that these objects are interplanetary craft of some sort. I and my colleagues are confident that they do not originate in our solar system.
It is my thesis that flying saucers are real and that they are space ships from another solar system. I think that they possibly are manned by intelligent observers who are members of a race that may have been investigating our Earth for centuries. I think that they possibly have been sent out to conduct systematic, long-range investigations, first of men, animals, vegetation, and more recently of atomic centers, armaments an centers of armament production.
A thesis has to be presentable... but don't attach too much importance to it. If you do succeed in the sciences, you will do later on better things and then it will be of little moment. If you don't succeed in the sciences, it doesn't matter at all.
And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'
My main thesis will be that in the study of the intermediate processes of metabolism we have to deal not with complex substances which elude ordinary chemical methods, but with the simple substances undergoing comprehensible reactions... I intend also to emphasise the fact that it is not alone with the separation and identification of products from the animal that our present studies deal; but with their reactions in the body; with the dynamic side of biochemical phenomena.
It used to be widely held that evil was incompatible with the existence of God: that no possible world contained both God and evil. So far as I am able tell, this thesis is no longer defended
My eighth grade teacher, Mrs. Pabst, had done her master's thesis on Tolkien. She showed me how the trilogy was patterned after Norse mythology. She was also the first person to encourage me to submit stories for publication. The idea of writing a fantasy based on myths never left me, and many years later, this would lead me to write Percy Jackson.
The best movies have one sentence that they're exploring, a thesis, something that people can argue about over dinner afterward.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
Sometimes I'm trying to communicate a feeling. Sometimes I can't piece it together into any kind of coherant thesis. I'm just trying to evoke some kind of mood, and put some kind of idea in somebody's head. If Marshall McLuhan or Harold Innis were looking at it, they would tell you that the genre of rock music isn't the best way to deliver a political message because it distorts it, it makes it into entertainment. Perhaps the best political message is just to speak it to somebody. I think that's something I'm always writing about in songs, just how to mediate, how to present something.
I hate the tribal hatred thesis - in Yugoslavia and Rwanda and places like that they kill each other because that's just what people do there. I think it's profoundly ignorant. I was astonished when Samuel Huntington wrote his famous clash of civilizations essay in response to the Yugoslavian war. I was on the streets in Sarajevo and every other person I met came from a mixed marriage. And here is Professor Huntington from Harvard writing this is a clash of civilizations. That was absurd.
I think good art has good concept behind it. Nothing can always articulate fully the way a Ph.D. candidate can articulate their thesis, because artists work with a combination of intuition and intellect blended together and out comes whatever they produce. So it's a blend of kind of a sensual response to material and an intellectual response to idea, maybe a blend of the two.
There was this famous clash of civilization thesis from Samuel Huntington, a political theorist. And the idea was that Western civilization is at war with Islam and maybe some of the other civilizations around the world. And I don't agree with that. But I do think there is such a thing as Western civilization. I think it starts with the Greeks and the Romans. Then it goes through the Enlightenment - or the Reformation, the Enlightenment. It goes through the scientific age. And it somewhat defines some of the cultures and mores of Europe and North America and some other countries.
Twilight of the Elites main thesis has been borne out far past what I could ever have imagined. The major idea was that these series of elite failures created this crisis of authority which was fertilizing distrust in the pillars and institutions of American society. In the absence of that authority there's this vacuum which is easily filled by authoritarian solutions, and I think that's exactly what happened.
A piano in the house, when I came home from school and was able to play all these different notes with all theses different sounds, I really found that fascinating.
I intend Deaths in Venice to contribute both to literary criticism and to philosophy. But it's not "strict philosophy" in the sense of arguing for specific theses. As I remark, there's a style of philosophy - present in writers from Plato to Rawls - that invites readers to consider a certain class of phenomena in a new way. In the book, I associate this, in particular, with my good friend, the eminent philosopher of science, Nancy Cartwright, who practices it extremely skilfully.
I use biography, I use literary connections (as with Platen - this seems to me extremely helpful for appreciating the nuances of Mann's and Aschenbach's sexuality), I use philosophical sources (but not in the way many Mann critics do, where the philosophical theses and concepts seem to be counters to be pushed around rather than ideas to be probed), and I use juxtapositions with other literary works (including Mann's other fiction) and with works of music.
When I was in graduate school, my thesis included both poetry and essays. Influenced by the personal essays of James Baldwin and Norman Mailer, I loved the form, but pretty much stopped.
I went on to write my graduate thesis on the ["Montgomery Story"] comic book itself. It was the first long-form history that was ever written about it. And it's how I found out Martin Luther King actually helped edit "Martin Luther King and the Montgomery Story."
One of the things that got me thinking during therapy is that they say that fear is only thoughts, and nothing will happen because thoughts will never be real. And my thesis, or joke, in film Antichrist, is that they really do become real.
You sort of have to separate what are questions you can ask that are going to help make you smarter about your thesis versus... trying to get somebody to validate it for you.
When I was in film school at USC, I wrote my thesis script about a woman on Wall Street - specifically a woman who used to work at Morgan Stanley, sort of based on her life. Through that process, I did some research.
That song [You Got To Make It Through The World] came from a vibe I picked up from an old blues singer named Bo Carter. My lady was making a film as a thesis for U.C.L.A. and she wanted me to write a song to depict this character. The movie had something to do with bootlegging and stuff like that. I found this Bo Carter record and he was just saying something about making it to the woods or something like that.
Nothing makes me happier than to have a smart person tell me why the show is smart, especially if I didn't intend that. I tend to be a very instinctual writer, and I don't plot shows out like, "This is my thesis and this is how I'm going to subtly sneak my thesis into this episode." I just approach it from, "We know these characters well, here are the situations that they're in, now how would they behave? What would the consequences be?" And it's always fun to see how people interpret that and dissect it afterward, and make me and the other writers seem probably smarter than we really are.
Brent Berlin and Paul Kay in Basic Color Terms demonstrate exhaustively and empirically, the very simple thesis that anywhere in the world, as a language develops and acquires names for color, the colors always enter in the same order. The most primitive are black and white. Then red. Then either green or yellow.
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