In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Emerging into writership, I have plans to discover my other themes, of nation and country, love and conflict, the body and transcendence, mutilation and wholeness, starvation and wicked plenty, and more. That is, I am already thinking ahead to more writing.
Of course, we talked about Westerns we like with [James Ransone in Valley of Violence] , but it was always thematically in relation to the movie and what the themes of the movie were.
I'm thinking, "What difference will this sermon make in their lives tomorrow? What am I trying to give them that will make a difference?" For example, had to do with the theme that Jesus will not let go of you. He's holding onto you. I talked to them about the disciples and Peter on the night before the crucifixion of Christ - how Jesus said that all of you are going to turn away, but He would be waiting for them in Galilee.
I was praying about what I needed to teach. I felt it wasn't time to move out of the theme of Romans, which is salvation by grace through faith.
I can write a story in working-class Stockholm Swedish, but I'm not going to assume I can perform the same feat with Cockney. I'll focus on adventures in story, themes and structure instead.
I think the only thing that we know how to do is look at our characters and ask what is the character doing right now and what do we need to do, and tell it from that place. If we really make it character driven and theme driven, I think we're going to offer up something new for the audience.
Let's forget about themes and mood boards. Let's start from a different point of view. You have to leave for two months all of a sudden. What would you put in your suitcase? What are the twenty essential pieces that you will need and how would you design it to be cool, and you'll want to wear it?
Once you've got a concept and a sense of themes and what it's about, then you can start to add your plot and sort of Tetris in all of the elements that you want to see, but also attach them to something that has cohesion, like a mold.
It sometimes is better to write in a more directed, focused way when the pages are aimed at something already, a mission statement or a basic spine that represents the theme or the concept that you've agreed on, and writing partners are great for that because you can sit there until you get it.
The people are phenomenal. You know my theme is 'Make America Great Again' and I think it can be greater than ever before. But if we have four years of Hillary (Clinton), I don't know if we can ever come back.
Donald Trump is sounding the same theme he has sounded since May or June of 2015.
I tend to take [ to Bridget Jones Diaries] something that nearly happened, or might have happened, and then exaggerate it to make it funny and to make it tie into the themes.
I was loosely aware that most of my characters were fundamentally selfish people, but I didn't intentionally make that a theme.
I was "Never Trump." But it turned out never republican was really the theme of this election.
The themes in my books, like in life, are about grace and redemption and you never know when they're going to show up and what form they're going to be in. Stories emerge from keeping your heart open to the people that cross in front of you or the dogs or the mice, and their ability to open you up and enrich your life.
Nothing new ever happens in the books. It's the same old theme.
The moment you start dictating content/themes/story vs. allowing the player to be a participant in the story and carve their own path, you're doing the player a disservice.
I think you have to be very careful getting the balance right if you're going to talk about grand themes like war, death and nationhood. You need to use the right language or don't do it at all.
My themes are derived from current events, from familiar situations, from daily life, because I never actively intervene against the object, I can feel the magic of its presence.
Once an interesting idea or theme occurs to me then I would want to write a poem about it. The rest, frankly, is not difficult.
[Regarding] the soul, I'm a little wary of any discourse on that topic that pretends to have an answer, so I tend to keep my musings to myself. There is interesting, legitimate metaphysical work on the topic going at least as far back as Leibniz and continuing today, following the theme that consciousness, or at least computation, might be at least as fundamental as phenomena such as space, time, energy, and matter, which are the usual subject matter of physics. I follow that sort of thing with interest but with very modest expectations that answers will be arrived at during my lifetime.
This year's [2016] White House holiday theme is "The Gift of the Holidays," and our decorations reflect some of our greatest gifts as a nation: from our incredible military families, to the life-changing impact of a great education.
Ironically, my rabbi was a bar mitzvah Nazi. So I got bar mitzvahed. And though I didn't want to, the theme of my bar mitzvah party was Madonna.
I really don't teach the way Professor [Frank Moore] Cross does. I don't teach the text the same way he does. I teach Biblical themes, Biblical events.
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