For me, I've always wanted to do theater, so I gravitate toward it.
Live theater is my favorite of all the mediums that I have worked in, so I have every intention on coming back to Broadway.
I am essential to the theater.
If you grow up in Britain, you just do Shakespeare. If you go and work in a theater once or twice or three times in your life, you're going to end up doing a Shakespeare, because he's obviously such a brilliant, brilliant writer.
Being a part of the theater community has been important to me from the time I was a child, through my parents.
To be working in the theater steadily and to be recognized and appreciated by the community means the world.
Well, in the theater, I think you're actually more responsible for what is going on onstage as a director than you are in film.
The muscles you flex in theater are muscles that you really need. I must always find a way to get back there. It's irreplaceable.
Math and science were my favorite subjects besides theater.
I actually cried during 'Titanic.' It was one of the few movies I've seen in the theater multiple times.
I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
Through theater and acting school, I found a way to articulate myself.
Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
I'm from the theater. I never wanted to be a star.
I think theater is powerful. The best experiences I had in the theater are more powerful than the best experiences I had in movies.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
I'm a kid who did stock and summer youth theater where we'd put up two shows and you had no rehearsal. I've also understudied, where I've had to go on with no rehearsal.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
I feel as though I would be delighted to come back into working in the film world, and working in the theater world again. I'm just gonna see what happens.
I come from the theater and I plan to always do theater. So I don't really see myself not being able to act even if people don't think I am sexy enough for film at 40, I'll still be acting.
Parsi theater was known for melodrama.
I did get a degree in theater and took some voice-over classes.
I've made six films since I made Secrets and Lies but I still live in London and I'd love to do theater.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues; and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
Communication is very important. And the arts do that, whether it's film or theater.
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