I have always been concerned with painting that simultaneously insists on a flat surface and then denies it.
Donald Judd spoke of a 'neutral' surface, but what is meant? Neutrality must involve some relationship (to other ways of painting, thinking?) He would have to include these in his work to establish the neutrality of that surface. He also used 'non' or 'not' - expressive - this is an early problem - a negative solution or - expression of new sense - which can help one into - what one has not known. 'Neutral' expresses an intention.
Bend color names which should be made of neon or copper tubing. Place an object on a surface - trace the object - then bend the object - leaving some part of it attached.
Every day I studied the nude, and movement in the streets and in the shops [in Berlin]. Out of the naturalistic surface with all its variations I wanted to derive the pictorially determined surface.
I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy.
In the end, the truth finds a way to surface even if you don't want it to.
To remedy the frequent distresses of the common people, the poor laws of England have been instituted; but it is to be feared that though they may have alleviated a little the intensity of individual misfortune, they have spread the general evil over a much larger surface.
Will you tell them about that far off and mythical land And how a child to the virgin came? Will you tell them that the reason why we murdered Everything upon the surface of the world Is so we can stand right up and say we did it in his name?
The produce of the earth - all that is derived from its surface by the united application of labour, machinery, and capital, is divided among three classes of the community, namely, the proprietor of the land, the owner of the stock or capital necessary for its cultivation, and the labourers by whose industry it is cultivated.
I wish that restaurateurs would choose simpler and smaller glassware. The tables on restaurants these days are way too crowded, and mostly because the plates are too odd looking and big, and the wine glasses are so gigantic that it takes up the whole surface area and you can't move. I prefer smaller glassware.
The economic prerequisites for the socialist revolution are fully matured in the US. The political premises are likewise far more advanced than might appear on the surface.
There may be such a thing as habitual luck. People who are said to be lucky at cards probably have certain hidden talents for those games in which skill plays a role. It is like hidden parameters in physics, this ability that does not surface and that I like to call "habitual luck".
I don't mind hidden depths but I insist that there be a surface.
There's almost no gravity at the surface. If you were standing on [the surface], you could jump into orbit.
Every canvas that can awaken us more exquisitely and accurately to the infinite and various surface of our experience does that much to sharpen life, and thereby render it more alive.
I've started to experiment [in the studio] with texturing the canvas, building up the surface with large brushes, palette knife or fingers. I want to say more in my art.
Turn the paper. A piece looks better if every mark is not made while the surface is in the same orientation.
The search which takes place in my studio might best be described as a mining operation, a vertical dig in which a number of discoveries are apt to surface from a single shaft.
I found ways to seal off the powdery surface of pastel so that gold leaf can adhere to it. Similarly, I found ways to roughen the texture of the gold leaf so pastel can be applied over it.
Painting someone's portrait is, of course, an impossible task. What an absurd idea to try and distil a human being, the most complex organism on the planet, into flicks, washes, and blobs of paint on a two-dimensional surface.
For the surface, I'm not interested in painterly convention. It's more interesting if it looks like it painted itself.
I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface.
Physics has entered a remarkable era. Ideas that were once the realm of science fiction are now entering our theoretical and maybe even experimental grasp. Brand-new theoretical discoveries about extra dimensions have irreversibly changed how particle physicists, astrophysicists, and cosmologists now think about the world. The sheer number and pace of discoveries tells us that we've most likely only scratched the surface of the wondrous possibilities that lie in store. Ideas have taken on a life of their own.
The very aim of meditation is firstly subjugation of the mind, so that it can no longer be an obstacle to a clear vision of the Supreme cliché. Secondly, it is the full silencing of that mind, so that consciousness becomes similar to the mirror-like surface of a quiet lake or pool. I can see the real Reflection of Truth in it then, but not otherwise.
Ah, what balance is needed at the edges of such an abyss. I am left alone on the surface of a turning planet. What to do but, like Michelangelo's Adam, put my hand out into unknown space, hoping for the reciprocating touch?
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: