The environment is everything that makes up our surroundings and affects our ability to live on the earth - the air we breathe, the water that covers most of the earth's surface, the plants and animals around us, the overall condition of our planet, and much more.
In the United States, the average is two children per family, while in Africa it is five children per family. On the surface, the statistic seems to indicate that Africans are having way too many kids and are taxing the Earth's resources, while American kids are born into families who are able to take care of them. However, the average American child consumes roughly the same resources as fifteen African children. So when an American family says they only have two children, they are actually consuming the resources of an African family of thirty children!
The aquifer [is] the water table people need to keep secure. Nature has this incredible system of water purification under the ground. Ground water is much better to drink than surface water because it filters out the bacteria that can cause all sorts of problems.
Pompeii is an extraordinary place to be because it was preserved exactly as it was. There are many other sites. If you visit any other antiquity-type sites throughout the world, they're very damaged with what's gone on over the centuries since they were abandoned. But this one was just, like, sealed, so you're looking at rock surfaces and the carving of letters and names in the stones looks like it was done yesterday.
Things are very rudimentary as far as women's rights really go here, and it seems fine, but once you start scraping the surface, you start to see the ripple effect of how not having equal rights is so detrimental and how many mothers are single parents trying to raise their families.
We were segregated throughout the community, and it was pretty brutal, actually. It didn't appear to be, on the surface.People got along and we had great relationships, but there was discrimination that impacted adversely the ability of the African-American community to progress. People did not - were in denial about that fact.
The Dalai Lama, these days, encourages Westerners not to take up Buddhism, partly because he feels that our roots are deep in other traditions, and we should go deeper into our own traditions rather than just acquiring the surfaces of others.
I say everything and I do whatever I want to do. I'm just me. The polished version of me, I suppose, because I have on clothes and makeup. But emotionally, I am very on the surface.
In the Ridley Scott film 'The Martian' you can do that [virtually driving car]. I have lifted off in the space craft from the surface of Mars, walked in space and looked down into deep space and got terrified, with the headphones and the goggles.
Climate scientists think of nothing but climate and then express their concerns in terms of constructs such as global mean surface temperature. But we live in a world in which all sorts of change is happening all the time, and the only way to understand what climate change will bring is to tell stories about how it manifests in people's lives.
As painful and destructive as they are, the hateful comments allow us to map the underlying beliefs of many people in a way we've never been able to before. It's almost as if all of the negativity and misogyny needs to come to the surface so we can fully understand what it is, and how deep it goes, before we can begin to shift it. Of course, I wish it weren't there.
I look at the textures, surfaces, colors, and the individual objects in the painting. And then I wonder: what are the relationships among them? Those relationships are everything.
I don't know that I ever bought into the "American dream." I was a child of privilege. I grew up in the '50s and it was a quiet time in America, at least on the surface and I grew up in a kind of feathery bed of privilege.
Hunter S. Thompson and I are old friends, but what we do is so different. There are surface similarities that really have to do with us being frustrated poets.
Seriously. It was running out at Rolling Stone. First of all, they didn't feel the need for a dissident conservative voice in a world where certain conservative aspects had become intellectually dominant. I would actually argue against that, but on the surface of it, in the [Bill] Clinton years the market economy triumphed, certain libertarian ideas became ordinary, and certain early-20th-century ideas about centralization of government and economic planning and socialism with a small "s" had obviously gone out the window. The Cold War was over, blah blah blah.
I try to influence this improvisation in two ways. One is by centering on reflections, in both senses of the word: acoustic reflections as well as visual reflections from a mirror or surface, and then reflecting on the material in a contemplative way. The other influence is listening to the tails of the sounds that you make.
What happens is that in each clump you've got the gelatinization of starches, which happens very quickly at the surface of the clump and it kind of forms a protective skin around this dry hunk of flour.
You know, [skin] happens at the gravy boat stage - right? - or this happens when you're trying to keep it warm. So the way that I avoid this is I keep my gravy - the second it's done, I put it in a thermos, which will keep it hot and will prevent air from getting to the surface. And I keep it there till the last moment. The last thing that goes out to the table is the gravy, and I pour it out of the thermos and immediately move it in.
Sometimes over the years, you know, things come to surface.
Whiteness allows the architectural ideas to be understood most clearly - the difference between opacity and transparency, solid and void, structure and surface. These things are more perceptible in a white environment. They have a greater clarity.
It's too bad that it takes egregious behavior or some kind of crisis to get people to take notice and get clearer about things that were just below the surface.
What may be on the surface looks like one thing but it's often a much larger problem.
My Italian-American heritage, of which I'm very proud and with which I identify strongly, surfaces in several of my novels.
I have always wanted some way that you could make a surface in a computer, like you pick up a piece of clay and make sculpture.
Those people are seen, I assume, by Larry [Kramer] as writing partly about gay issues and problems, whether it's on the surface or not, and I am not. But another thing is when we met, there still wasn't exactly a gay/straight divide in the minds of a lot of straight people. There weren't any gay people, as far as we knew, at Yale.
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