I really am a strong believer that with editing, it should take a long time. Even you yourself are not capable of making the right decisions; sometimes you need a distance.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
In acting, you're only responsible for your part. When you're directing, the load is on your shoulders, so you have to feel a strong connection to the material. It's a higher bar to get over.
If I see that something is wrong, I don't care who says it. Whether it's a Republican or Democrat, the left or the right. If they are on the opinion of the right thing, that's what I will talk about. I won't proselytize or make the strong things to influence other people about any particular politics, except the decency of things, the logic of things. That's why I don't get that much involved in politics directly.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
When you work with an actor and then you discover new things that are better, I think you gotta be free to be able to go with the new things that you're finding. I think that's very important. I have a strong idea when I go to shoot a movie but I also love to discover things when I'm on set as well.
WikiLeaks has been a very strong proponent of the Freedom of Information Act. This is probably, actually, if you think about it, probably against our interests as - as a publisher. But we believe that people have the right to know true information about what their government is doing.
September 11 had such a strong visual component, the most visually documented event in human history. Nothing's ever been seen by as many people as that was. Our experiences of the day, our memories of the day are just so tied up in images of buildings falling and bodies falling.
When I was nine years, growing up on the south side of Chicago, in the ghetto. The Robert Taylor Projects. I came home from school, I showed my mother a picture and said "Momma, that's you in the rocking chair. There's daddy over there." I said, "Momma, one of these days, I'm gonna be big and strong. I'm gonna be a football player. I'm gonna be a boxer. I'm gonna buy you a beautiful house and I'm gonna buy you pretty dresses." That's all I want to do in life.
I can't blame Angela Merkel for saying she wants a strong euro.
I place the blame with our own leaders who are not defending our interests. A strong euro is ruining our economy.
All of my history as an African-American woman, as a Jewish woman, as a Muslim woman. I'm bringing everything I ever knew, and all the stories I've read - everything good, strong, kind and powerful. I bring it all with me into every situation, and I will not allow my life to be minimized by anybody's racism or sexism or ageism.
I think Hip Hop and Gospel are such strong distinct cultures that have problems, unspoken problems obviously, but problems with one another. On the hip hop side, it's the problems of "awe man I don't like the suits and ties," and on the Gospel side it's " awe man they need to pull their pants up." I just think those are minor, really small issues that we just need to get over and learn to help each other. We're all on the same , and in the same boat.
I think one of the areas of favor and grace that God has allowed us to see is internally he's just given us a strong sense of work ethic and craftsmanship. We really do work hard to make GOOD quality music.
I managed because of my mother. I managed because I'm strong. I managed the same way every other abuse survivor survives, you just do. So many people have been abused, it's not rare, it's a very common human experience, and we survive. Also, my music plays a big role in my thriving. Having an outlet, it really makes a difference.
It's not that unusual for presidents to take strong positions on cases decided by the court. But you know, Lesley, that's why the Constitution wisely gave us life tenure. They can talk about us, but they can't remove us.
I was nurtured in the church; I went to a Catholic school; I was an altar boy; I went to a Catholic university; I was steeped in the moral tradition of the Catholic Church. My Catholicism plays a very strong role. But I thought President John F.Kennedy answered rather well when he said that ultimately my conduct as a public official does not come ex cathedra from Rome; it comes from my conscience.
Over the years I've had strong friendships with many priests. As a matter of fact, a group of Christian leaders from the National Council of Churches came to my house in the 1950s to ask me to write music for a Mass. I didn't think I was ready at that time. So, in a sense, I guess joining the church and writing the Mass was a culmination of a long journey that is still going on.
The integration in Germany was made easier by the fact that I am probably of the third generation. So I have undergone a process of assimilation, of Jews into German society.I lived as a child in Germany, the feeling of being surrounded by people of whom the majority had very strong anti-Semitic sentiments. But there was one very odd thing in the whole milieu in which I lived: no one accepted the stigmatization. It is quite difficult. No one, my father for instance, would ever take it seriously. He would regard anti-Semites as people of no education.
Here's the positive scenario: that something has been going wrong in American society. You see it in wage growth, opioid abuse, many other social indicators, as you know. Sometimes it's better to get the bad reaction to that over with quickly while your civil society still is strong and you can react and respond and protest, and you know, four or eight years from now, make another decision, and maybe it's better to have that happen in 2017 than 20 years later when some of our problems are worse and our national mood is worse.
All the things that Hillary Clinton has changed. OK, she used to be strong at the border. Now everyone could stay. She used to have a crime bill; "sorry about that." She used to be for welfare reform. That was a big mistake. "Libya wasn't my job; it's Barack Obama's." The TPP was the - was the gold standard for trade deals. "I hate the TPP." So she changed on everything. What is she voting for, who are you voting for? What are we doing here? She's going to win it just on recognition.
I am a strong advocate for Marco Rubio. I think he is the kind of individual and leader who can expand our party. I heard him in Virginia Beach, and he talked about loving those with whom he disagrees and those who didn't vote for him. I don't think that's in Donald Trump. He is nothing more than a bully.
I remember being really young and having this voice inside that told me to trust my gut. And my gut has been really, really strong in my life. It's pretty vocal and it leads me.
We know that we need to explore desire in fiction - many say that the only way a story exists is that a character feels a strong desire - and nature is the place where creatures act on their desires in the most pure way imaginable, so maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I'm interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
Who voted for Trump? Who are these people who, as he famously said, would let him shoot someone on Fifth Avenue and still support him? It's people who want too strong a leader, who would do what that leader tells them. Similar to the Europeans following Mussolini and Hitler. There's a streak in humanity that likes that kind of leader. That's Trump's core. Authoritarianism.
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