I like to walk down Bond Street, thinking of all the things I don't desire.
An echo of music, a face in the street, the wafer of the new moon, a wanton thought - only in the iridescence of things the vagabond soul is happy.
I don't conduct myself like a rock 'n' roll star in my day-to-day living. Am I a celebrity? Yes. Do people recognize me on the street? Yes, they do. But at the same time, it's not a media center out here. People get used to you.
As each Sister is to become a Co-Worker of Christ in the slums, each ought to understand what God and the Missionaries of Charity expect from her. Let Christ radiate and live his life in her and through her in the slums. Let the poor, seeing her, be drawn to Christ and invite him to enter their homes and their lives. Let the sick and suffering find in her a real angel of comfort and consolation. Let the little ones of the streets cling to her because she reminds them of him, the friend of the little ones.
New York was the glamorous town that you only see now in old movies and on Broadway stages. The sky was lit up with dancing neon signs. It was safe to walk out in the streets.
The streets and alleys of the ward were notoriously filthy, and the contractors habitually neglected them, not failing, however, to draw their regular payments from the city treasury.
I was doing stand-up at a restaurant and there was a chalkboard on the street out front. It said, Soup of the Day: Cream of Asparagus. Ellen DeGeneres.
I was very much a tough New York street kid. I went to a school where you had to learn how to get along with everybody or fight with everybody, and I did my fair share of both.
I love dogs, but dogs, you have to be in the country with dogs. I cannot walk a dog on the street.
Whatever brawls disturb the street, There should be peace at home.
The world of Manhattan is small and tightly knit, and the man on top retains a certain humility. He knows how far and fast he can fall by looking at the guy across the street. The view from the $250,000 apartment covers a lot of ground, most of it condemned.
My books are about ordinary people, like you, me, people on the street, people who really have an expectation of reasonable happiness in life, want their life to have a sense of security and predictability, who want to belong to something bigger than them, who want love and affection in their life, who want a good future for the children.
A war is like when it rains in New York and everybody crowds into doorways. They all get chummy together perfect strangers. The only difference, of course, is in a war it's also raining on the other side of the street and the people who are chummy over there are trying to kill the people who are over here who are chums.
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
Who's the new Ramones, who's the new Guns 'N Roses, who's the new Motley Crue, who's the new Black Sabbath? They're coming, they're on the street, they're 16, 17 years old.
We should work for simple, good, undecorated things, but things which are in harmony with the human being and organically suited to the little man in the street.
To walk across the street is a risk.
To me, acting is acting... I'd be happy working on a street corner in a mime troupe.
I've made this conscious decision to tell people on the street when I think they're wearing something great. If more people did that, the world would be a better place.
It will be in the convergence of evolutionary biology, developmental biology and cancer biology that the answer to cancer will lie. Nor will this confluence be a one-way street.
I love the sound of the distant bugle call in the countryside in early morning I love to be pushed in busy crowds I love the sound of gongs and trumpets along the streets I love circus performances I even wish to die in this moment of glorious encounter.
I was always doing something physical. My brothers and I used to have handstand contests. We'd walk around the projects on our hands and see who could get the farthest. I was always playing football with them, basketball or racing in the street.
The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective.
I like structure - like driving: go past the school on the street, stay on the right side, no hitting the car, go in right, you'll see a big church, stop and take a left, and you'll have it. By doing this I'm giving a structure of life, a path of light, and showing what happens between me and me, which is something very beautiful.
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