Never boss people around. It's more important to click with people than to click the shutter.
If I saw something in my viewfinder that looked familiar to me, I would do something to shake it up.
The eye should learn to listen before it looks.
Nothing happens when you sit at home. I always make it a point to carry a camera with me at all times...I just shoot at what interests me at that moment.
It takes a lot of imagination to be a good photographer. You need less imagination to be a painter because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the extraordinary.
When you photograph people in color you photograph their clothes. When you photograph people in black and white, you photograph their soul!
Photography is a way of feeling, of touching, of loving.
I photograph to find out what something will look like photographed.
Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything.
Don’t pack up your camera until you’ve left the location.
My life is shaped by the urgent need to wander and observe, and my camera is my passport.
Street Photography is like fishing. Catching the fish is more exciting than eating it.
Street photography is art and if art is a crime, please God, forgive me.
When people look at my pictures I want them to feel the way they do when they want to read a line of a poem twice.
During the work, you have to be sure that you haven't left any holes, that you've captured everything, because afterwards it will be too late.
You don't make a photograph just with a camera
I suspect it is for one's self-interest that one looks at one's surroundings and one's self. This search is personally born and is indeed my reason and motive for making photographs.
I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
I believe that street photography is central to the issue of photography—that it is purely photographic, whereas the other genres, such as landscape and portrait photography, are a little more applied, more mixed in the with the history of painting and other art forms.
I have always felt that a lot of the most interesting work, not just mine but other people's, falls into [the] nether area, somewhere between the worlds of documentary and photojournalism (two very vague words) and the world of art. I think a lot of street photography falls into this nether area.
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