I really have to feel a sense of freedom in my storytelling.
Storytelling helps us understand each other, translate the issues of our times, and the tools of theater and film can be powerful in helping young people to develop communication/collaboration skills, let alone improving their own confidence.
Storytelling wise, you've gotta take it as far as you can possibly take it with each individual movie. If you're holding out something for a sequel or some cliff-hanger, that's not how I think of a satisfying story.
I think that the art of marketing, the art of promotion and the art of storytelling is definitely elevated and we have to get better every year.
We learn best - and change - from hearing stories that strike a chord within us.
All human beings have an innate need to hear and tell stories and to have a story to live by. . . .
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
People are hungry for stories. It's part of our very being.
You may tell a tale that takes up residence in someone's soul
People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
Fairy tales are more than true.
Death is the sanction of everything that the storyteller can tell. He has borrowed his authority from death.
Australian Aboriginees say that the big stories - the stories worth telling and retelling, the ones in which you may find the meaning of your life - are forever stalking the right teller, sniffing and tracking like predators hunting prey in the bush.
Some stories don't have a clear beginning, middle and end.
If you're going to have a story, have a big story, or none at all.
Sometimes a person needs a story more than food to stay alive.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before.
There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.
I achieved perfection, my type of perfection - visual storytelling. Storytelling was my style.
A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.
I think I can work with different crews; I've worked with Bulgarian, Norwegian, Japanese, and Chinese crews. For me, the most important thing is the storytelling, and I'm really comfortable working with all kinds of languages.
I am a storyteller, and I grew up with a father who told big-fish stories, so storytelling is very much a part of me. It was a part of my family.
If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive.
Sylvia Day spins a gorgeous adventure in A Touch of Crimson that combines gritty, exciting storytelling with soaring lyricism. Adrian is my favorite kind of hero--an alpha male angel determined to win the heart of his heroine, Lindsay, while protecting her from his lethal enemy. Lindsay is a gutsy, likable woman with paranormal abilities of her own, as well as a dedication to protecting humanity against a race of demonic monsters. This is definitely a book for your keeper shelf.
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