The whole story is about change. We are very lucky that the earth's history is recorded in fossilized remains. And we can see the changes. Unfortunately, there will always be gaps in our knowledge, but there is no doubt that we and everything living today has evolved.
I am truly amazed that after all this time, religious groups still need to attack entertainment and use these tragedies as a pitiful excuse for their own self-serving publicity. In response to their protests, I will provide a show where I balance my songs with a wholesome Bible reading. This way, fans will not only hear my so-called, violent point of view, but we can also examine the virtues of wonderful 'Christian' stories of disease, murder, adultery, suicide and child sacrifice. Now that seems like 'entertainment' to me.
If a single one of these gentlemen is correct, if a believer of any type is right, the essential truth for man, the real drama of life, in comparison with which the secular story of the race, is a puppet-show and the unfolding of the universe is a triviality, is the dialogue of the immortal soul and the eternal God. Yet it seems that there is nothing in the world so hard to discover as this. The theory refutes itself.
If, when we compare two versions of a story, the second known to be a retelling of the first, and find that the second has more of a miraculous element, we may reasonably conclude we have legendary (or midrashic or whatever) embellishment. The tale has grown in the telling. This sort of comparison is common in extrabiblical research and no one holds that it cannot properly indicate legend formation there.
Towards orthodox religion, father's own attitude remained one of tolerance. He looked upon the New Testament as the noble story of a human being which, because of ignorance and the lack of printing presses, had become exaggerated. He maintained that religions served their purpose; some people depended on them all their lives to make them honest. Others did not need to be so held in line. But subjection to any church was a reflection on strength and character. You should be able to get from yourself what you had to go go church for.
It's a different story because guess what, the kid is only 28 years old, 28. He's not his dad, not his grandpa. He's 28 years old.
Big story at the Olympics regarding Michael Phelps. He stepped out with his girlfriend for the first time. She is a 25-year-old model from Los Angeles. Like every other model in L.A., She's dating an older retired guy. What's going on?
Seriously, the Olympic badminton players were apparently trying to lose on purpose, a big story. But really, think about it, if you train day and night for four years to be in the Olympics for badminton, in a way, haven't you already lost?
WORK ON YOUR STORY! He/she who has the best story wins! In life! In business! The White House!
I'm an actor because I love movies, and always have loved movies. I'm a film buff. So, getting to work with those kinds of directors and getting to tell those stories is what I want to do.
You break the story first, and then you go into the specifics.
One of the things I loved about the musical was that you listened to the soundtrack and it told you the story.
My mom is American, so I was raised in her household in my formative years. But as I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family, my aunties, grandparents, is in Africa.
If you don't know your full-throttle history, the whole story of how you came to where you are, it's kind of hard to put things together.
People sing each other's songs and they cultivate standards. That's the reason why we have folk music and folk stories. History is told through song.
I never think about actual things when I'm painting. I'm not thinking, "I'm going to put a person here, a tree here and a bird there." The beginning stage is always the sound. From that, slowly, stories come about based on what I'm reading or thinking at the time, but if I didn't have that sound I don't know what I would do.
As I work day after day, inspirations from different places go into the work. It's combination, but it's also comparative. I'll be reading two books at the same time that are totally different [and] then have two stories mix together.
Sometimes I forget what I put in. I want to capture things in that way, where you're looking into your memory, a dream or hallucination. The characters become a mixture of archetypes, [and] that's what I like. You're trying to figure it out and your brain wants to categorize things, but it can't because of this motion. You want to solve the problem, but it never gets solved. It's like when you read a really good book and the story never leaves you.
It's really a lot of fun to see that this music can actually survive, that it can be concert music. My solo shows are already going along that path. You have the freedom to basically push to party, or you can tell a story from nothing with soundscapes, moving images, to a real party mood. At some concerts, people get out of their seats and start dancing after a while.
New York is my home and I have a particular fondness for it. I think it's a place where you can generate any kind of story wonderfully. But I also would be very happy to make a film in Paris or Rome.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
I do think students in public school (and private) should be required to study the Bible. [...] As a matter of pure education, it's shocking that we [the americans] are not compelled to learn the book, which is the source of our language, our common stories, our political structure, our conflicts.
It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.
The reason I shift gears constantly, why I'm doing an opera, why I've done essays, why I've written poetry for years that nobody wanted, why I do short stories and novels and screenplays... is so I will have new ways of failing. This means becoming a student again.
Forget politics. The real story is the advancements being made in medicine. We're on the verge of conquering cancer and Alzheimer's and numerous other diseases. The DNA revolution has just begun. Scientific advancement usually trumps politics.
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