I think it's very improtant and healthy to tell differnt stories than the corporatist narratives we are being asked to swallow hook, line and sinker.
The issue I focus on the most is extreme poverty. I think it's kind of out of sight out of mind. I wish there would be more stories about that to connect people to what's happening. To personalize it, to make it real to people, to inspire them to action.
The fact that the Antarctica is beginning to look more like it's part of the story, as well.
When you saw the movie "The Curious Case of Benjamin Button," that was Michael [Jackson]'s story write large. Born as an elderly person, Benjamin Button was, in the F. Scott Fitzgerald novel and in the film starring Brad Pitt, he dies as a newborn child. Michael Jackson's childhood was one of enormous, prodigious production.He was a child prodigy, he was a wunderkind.
I think one of the things that is easy to have happened in a superhero story is that the female character, whether she be a heroine or not, can often be the wart on the man.
Elizabeth Turnage is a woman of grit and grace who lives into the stories of those who join her in this odd journey of seeking God. She honors the complexity of life without ever losing sight of the simple glory of the cross. Her grasp of the mundane and miraculous and their interplay gives a depth and honesty to her story that tugs at the heart and gives us hope our story can matter. Her book will be a clarion call to bring our broken, holy, troubled, and glorious life to the author of all stories: Jesus.
The books I write because I want to read them, the games because I want to play them, and stories I tell because I find them exciting personally.
I made a very bad mistake; I miscounted these scraps of information on the record as 92, and in continual homage to this man who had been so influential to me, I began creating or constructing my own films on this so-called "magic" number of 92 ... but when I eventually made a film about John Cage and met him, I explained this to him, and he found it very amusing because there are only 90 stories on the two sides of the record, and I'd based three years of my filmic career on this mathematical error!
Only cinema narrows its concern down to its content, that is to its story. It should, instead, concern itself with its form, its structure.
The second person to write a story about a young boy and an escaped slave on the Mississippi wasn't a novelist, he was a typist.
Coming out of high school, I think it was good for me instead of going to college because college and the NBA are two different things. You can dominate on the college level, but the NBA is a whole different story. The dudes that do the best are the ones who work hard.
You don't let a guy put his hand on your chest, and put his foot on the ball and look into your eyes and tell you a bedtime story. No. sorry. He controlled the ball on his chest, step on it, look, see if someone was in the stands, take a coffee, turn, call his family, no one was answering, left a message, and then thought "Oh, I might cross the ball." He crossed it and they scored.
It has been obvious all along, to anyone paying attention, that the politicians shouting loudest about deficits are actually using deficit hysteria as a cover story for their real agenda, which is top-down class warfare. To put it in Romneyesque terms, it's all about finding an excuse to slash programs that help people who like to watch Nascar events, even while lavishing tax cuts on people who like to own Nascar teams.
Many writers-in-waiting spend a lot of time avoiding the work at hand. The most common way to avoid writing is by procrastination. This is the writer's greatest enemy. There is little to say about it except that once you decide to write every day, you must make yourself sit at the desk or table for the required period whether or not you are putting down words. Make yourself take the time even if the hours seem fruitless. Ideally, after a few days or weeks of being chained to the desk, you will submit to the story that must be told.
There was this book I read and loved, The story of a ship Who sailed around the world and found That nothing else exists Beyond its own two sails And wooden shell And what is held within. All else is sure to pass. We clutch and grasp And debate what's truly permanent.
I love irony in pictures. There's one photograph from Vietnam by Philip Jones Griffiths that shows a very large GI having his pocket picked by a tiny Vietnamese woman. It told the whole story of the clash of two cultures and how the invader could never win.
Hanns Heinz Ewers tells a short story of a boy who was so unnatural of disposition as to take a special delight in people sick with elephantiasis. Our "European intellectuality" finds itself in an identical condition today which, through Jewish pens, worships the Kokoschka, Chagalls and Pechsteins as the leaders of the Art of the future. Features of degeneracy are already apparent, as, for instance, with Schwalbach, who dares representing Jesus as flat footed and bow legged.
When we love others, we naturally want to talk about them, we want to show them off, like emotional trophies. We invest them with a power to do to others what they do to us; a vain hope, as the lovers of others are rarely of much interest to us. But we listen in patience, as friends must, and as Isabel now did, refraining from comment, other than to encourage the release of the story and the attendant confession of human frailty and hope.
For me, writing is a job. I do not separate the work from the act of writing like two things that have nothing to do with each other. I arrange words one after another, or one in front of another, to tell a story, to say something that I consider important or useful, or at least important or useful to me. It is nothing more than this.
Do you want to tell the truth, or do you want to tell a story?
Santa Claus is a god. He's no less a god than Ahura Mazda, or Odin, or Zeus. Think of the white beard, the chariot pulled through the air by a breed of animal which doesn't ordinarily fly, the prayers (requests for gifts) which are annually mailed to him and which so baffle the Post Office, the specially-garbed priests in all the department stories. And don't gods reflect their creators' society? The Greeks had a huntress goddess, and gods of agriculture and war and love. What else would we have but a god of giving, of merchandising, and of consumption?
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
I don't really know that this story has a whole lot of things happen in it. It doesn't really. It's just a record of how things were in my life during this last winter. I guess things happened, but nothing out of the ordinary.
I don't write poetry or short stories. I don't like to write articles usually. I tend to really only want to be focused on writing novels. It's one of the real advantages I've had over the years. I've only been good at one thing. It helps to be limited.
My favorite form is the short story. From an aesthetics stand point you really have to pare down to the bone. You can't write a throw-away scene.
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