I think I'm able to reach a lot of folks, despite the fact that the conventional news media sometimes says, "You know, this speech is too long," or "It's too complicated," or "He needs to have better sound bites," or what have you.
Sounds good, doesn't work. Never going to happen. Our country is suffering because people like Secretary [Hillary] Clinton have made such bad decisions in terms of our jobs and in terms of what's going on.
I know that sounds really extreme, but if you just look at the history, you will find Harry Anslinger [first U.S. commissioner of the Bureau of Narcotics] going on about satanic swing and how reefer will make black people think they're as good as white people - which to him, obviously, was a very horrible outcome. This is the basis of our drug laws.
It sounds almost unreal, but I was born and raised on old castlegrounds - Kenmure Castle.
A universal sound is about having everybody be able to relate to it whether you're in New York, LA, London or Australia. You have to be able to universally be brought back to a place where they can relate to you as an artist.
I strive to create drum samples that have a variety of engineering and capturing options in order to build a unique drum sound.
The problem you get with most today's drum samples is that when you use them, you sound like everyone else using them.
And not go to things that sound good that really did not have the kind of impact that we would want. Who disagrees with keeping neighborhoods safe?
We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.
I've always done a lot of stunts in the past, and I sound like I'm tooting my own horn here, but I've always impressed the people I've worked with and they've let me do more and more.
One of the things that I loved about when I met my husband was that he picked me up and he paid - I know that sounds old-fashioned but for me, most of my life, I always would split the bill or would always pay, or I would be very assertive about my independence and my financial responsibility. And I am a very strong woman and very strong-willed - but there was something really great about him taking care of me and treating me and opening the door and driving, and I am perfectly OK with that. And he still does it to this day.
For the first time [with the Bible] - I know this sounds so corny - but I knew love. I had such an empty love tank. I had all the questions to life that didn't make sense. Two and two didn't add up to four. From my father's death - if you loved me, why did you leave me? Why did you kill yourself? And so when this happened, it took my life in a completely different direction.
If you get mad about how your voice sounds when it comes out of your own mouth, it's not really my fault. Go ahead and be yourself.
So many women around the world in so many different career paths and places are expected to be perfect and I know that it sounds cliché, but none of us are.
I hate to sound cliché, but it would probably be the day my daughter was born. That was a pretty amazing experience.
I've never played a character that is just beautiful, but sometimes you can read scripts that sound so shallow, like women are objects. I've never done something like that, though.
I'm one of six children. I'd love to sound educated and say I dive into a good book when I'm there, but in truth, I spend time with the kids playing cards, ping-pong, and board games.
I have much clearer memories of my time in Egypt: songs on the radio, the rhythms that accompanied belly dancers, the sound of the adhan - the Muslim call to prayer. I just soaked it all up.
In Western classical music the idea of holiness, purity, perfection, and total beauty is expressed through clarity of sound - a bell-like sound. Obviously, that has its own place, and it's a beautiful way of doing it. But I don't think I am the first to point out that in Africa, the more buzzing the sound is, the more it indicates the other world - the spirit world.
In a lot of African instruments, you find a rattle, and sound engineers have a hard time making sense of it.
But all the reports we read and heard were that sound bleed was non-existent - which is one of the reasons we did that layout - and also the circular flow just really worked well in terms of crowd movement and just the experience. We were really pleased.
I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.
I don't have a six-pack. Maybe I don't even want a six-pack. It doesn't sound very appealing.
I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.
When Hillary Clinton says no boots on the ground, now, whether you want boots on the ground or not you shouldn't say it because you've just taken - so she said there will be no boots on the ground, she's very strong because politics, you know, it sounds a little bit better to say no boots on the ground.
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