How do I love thee? Let me count the ways.I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace.
And if God choose I shall but love thee better after death.
When anarchy is declared, the first thing we do, let's kill all the anarchists.
All the world's a stage, and all the men and women mearly players.
Some are born great, some achieve greatness, and some hire public relations officers.
We are driven by the usual insatiable curiosity of the scientist, and our work is a delightful game.
Life has been your art. You have set yourself to music. Your days are your sonnets.
Shakespeare, of course, makes us ever aware of transience, not only in the sonnets, but also powerfully in his plays - spectacles for a brief period of time and then gone, as when Prospero describes the pageant fading, leaving "not a rack behind."
I have been used to consider poetry as "the food of love" said Darcy. "Of a fine, stout, healthy love it may. Everything nourishes what is strong already. But if it be only a slight, thin sort of inclination, I am convinced that one good sonnet will starve it entirely away.
I did some research on this a couple years ago," Augustus continued. "I was wondering if everybody could be remembered. Like, if we got organized, and assigned a certain number of corpses to each living person, would there be enough living people to remember all the dead people?" "And are there?" "Sure, anyone can name fourteen dead people. But we're disorganized mourners, so a lot of people end up remembering Shakespeare and no one ends up remembering the person he wrote Sonnet Fifty-five about
My colleagues in elementary particle theory in many lands [and I] are driven by the usual insatiable curiosity of the scientist, and our work is a delightful game. I am frequently astonished that it so often results in correct predictions of experimental results. How can it be that writing down a few simple and elegant formulae, like short poems governed by strict rules such as those of the sonnet or the waka, can predict universal regularities of Nature?
No longer mourn for me when I am dead than you shall hear the surly sullen bell give warning to the world that I am fled from this vile world with vilest worms to dwell: nay, if you read this line, remember not the hand that writ it, for I love you so, that I in your sweet thoughts would be forgot, if thinking on me then should make you woe. O! if, I say, you look upon this verse when I perhaps compounded am with clay, do not so much as my poor name rehearse; but let your love even with my life decay; lest the wise world should look into your moan, and mock you with me after I am gone.
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death: "Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . . -Ever his wit and not her eyes, ever his art and not her hair: "Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
Life, with its rules, its obligations, and its freedoms, is like a sonnet: You're given the form, but you have to write the sonnet yourself. - Mrs. Whatsit
Everything. A letter may be coded, and a word may be coded. A theatrical performance may be coded, and a sonnet may be coded, and there are times when it seems the entire world is in code. Some believe that the world can be decoded by performing research in a library. Others believe that the world can be decoded by reading a newspaper. In my case, the only thing that made sense of the world was you, and without you the world will seem as garbled and tragic as a malfunctioning typewrit9.
Sonnet XXV Before I loved you, love, nothing was my own: I wavered through the streets, among Objects: Nothing mattered or had a name: The world was made of air, which waited. I knew rooms full of ashes, Tunnels where the moon lived, Rough warehouses that growled 'get lost', Questions that insisted in the sand. Everything was empty, dead, mute, Fallen abandoned, and decayed: Inconceivably alien, it all Belonged to someone else - to no one: Till your beauty and your poverty Filled the autumn plentiful with gifts.
Even now, Dickon was upstairs, writing sonnets to his new love, while back at Seadown House, Marianne was writing 'Ella' on scraps of paper and then burning them.
You must know that I do not love and that I love you, because everything alive has its two sides; a word is one wing of silence, fire has its cold half. I love you in order to begin to love you, to start infinity again and never to stop loving you: that’s why I do not love you yet. I love you, and I do not love you, as if I held keys in my hand: to a future of joy- a wretched, muddled fate- My love has two lives, in order to love you. -Sonnet XLIV
Requiescat Tread lightly, she is near Under the snow, Speak gently, she can hear The daisies grow. All her bright golden hair Tarnished with rust, She that was young and fair Fallen to dust. Lily-like, white as snow, She hardly knew She was a woman, so Sweetly she grew. Coffin-board, heavy stone, Lie on her breast, I vex my heart alone She is at rest. Peace, Peace, she cannot hear Lyre or sonnet, All my life’s buried here, Heap earth upon it.
I built up these lumber piles of love, and with fourteen boards each I built little houses, so that your eyes, which I adore and sing to, might live in them. Now that I have declared the foundations of my love, I surrender this century to you: wooden sonnets that rise only because you gave them life.
Whoever you are, bear in mind that appearance is not reality. Some people act like extroverts, but the effort costs them energy, authenticity, and even physical health. Others seem aloof or self-contained, but their inner landscapes are rich and full of drama. So the next time you see a person with a composed face and a soft voice, remember that inside her mind she might be solving an equation, composing a sonnet, designing a hat. She might, that is, be deploying the powers of quiet.
The form I most enjoy writing is the sonnet or sonnet-like forms, where you have a - you know, three stanzas or two stanzas that lead into a concluding couplet.
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose.
The Sonnets of Shakespeare have the fascination of an autobiography, without its clarity. It is like reading an important document in a cave by the light of matches which keep blowing out.
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