I'm a New Yorker, so I have the sort of tough vein that's naturally bred into me. In general, I'm a nice person, and that seems to surprise people sometimes.
There is a thing where I get scared watching other people, and really realize, My God, their happy lives are going to stop. Sometimes you feel that people have 19 jokers in their back pocket and, because of the way they're living, you're like, Do you know that this is not going to happen over and over again forever?
Sometimes dramas or happenings from 10 or 20 years ago are kept alive by people on a daily basis, whether it's personal issues or bigger things such as what happened with Princess Diana in your country. Some people are still obsessed by that... or JFK and can't let it go. Films and newspaper articles keep being born out of those events.
More and more, and especially over the last two decades, we've found out how many conspiracies there actually are. We really don't know the exact truth about a lot of things. We know there are big things going on involving huge companies and industries, whether it's money involved or oil or things in their own country, but there are personal interests at play and it's a very well woven network that's hard to break down. Sometimes it is hard, for us, to know who is telling the truth.
Sometimes you have positional authority, and that is very hopeful. But the reality of it is the nation responds to moral authority, when we believe that our president has the entire nation`s best interests at heart.
In any big spectacular, it's really difficult to have enough voices to cover all the vocal parts. To give the audience the complete experience they're expecting, there is some reinforcement, some playback that everybody's hearing. Sometimes it's background vocals, but sometimes it will be actually vocal tracks. It's so hard to ensure, with no safety net ... you're not gonna get another shot at it, you have to have stability. I think it's very naïve of a lot of people to think that when you see someone open their mouth, they're really singing.
You can do a lot with a commercial break - you can change days, you can suggest the passage of time. So sometimes that's a great thing artistically, to know that's going to be there. Obviously you'd always prefer that people see it straight through, and you don't want them to be taken out of it by advertising, but that's the reality of what's paying the bills here.
Sometimes I might go too far with the pretentious references, which I might not do again. But when you're writing, you're sitting alone in a room so you're writing to amuse yourself as much as anybody else.
The more you know the better it gets. The more politics there is, the more you understand. Sometimes the races are terribly boring but what's going on off the track is great. And then it makes the race much more interesting.
Preparing the animation is close to the comic book process but there are plenty of problems. It's very interesting, but it's also sometimes a pain in the arse, especially because it's so very long. Something that takes 10 minutes in comic book form can take 10 months in film form. But I love the results.
What I like about mixing fiction and non-fiction is being able to fully explore an idea without being bound by genre. If you scratch under any surface there are histories for everything, aren't there? And there's unknown women's history in everything, too. It all gets simplified because its complexity is more than you can stand sometimes. So you need full freedom of expression.
In some ways I spend longer at non-fiction because there are a lot of different threads to bring together. But non-fiction is more reflective than immersive. The problem with fiction sometimes is that you have to leave the real world to enter the fictional one. And that takes so much, goes into your head for so long . . . I don't know, I just feel less inclined toward that these days, and more inclined to remain in my own life. I do like really good fiction, but it's getting harder to hold my attention in a novel.
Sometimes you do things without knowing the plan or how many cameras. You serve the camera - that's the big difference.
I do feel the weight of being the steward of the greatest sport the world ever came up with. I grew up with a love and admiration for it, so I feel an obligation to portray it as electric and terrifying and exciting and beautiful, and all these sometimes contradicting things that make hockey what it is.
Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.
I sometimes feel fiction is the ideal preservation for real memories. Fiction is such a good place to keep things.
I allowed the actors to have freedom and sometimes change words if they needed to or thought that another word was more current.
I think movie makers in every country are looking for ideas. It's interactive. And sometimes we remake a lot of Hollywood films but we don't buy the rights, we just try to imitate those films.
Sometimes I'll go out to say hi to people, and I'm just not ready for it. It feels too weird, too intense.
Writing from a character is really fun - sometimes you can be more honest through somebody else's perspective.
People build fame because they're pretty sometimes.Most of the time. This is what the audience wants, apparently. I don't necessarily agree, but I cannot go against it. But it's true that our industry is just full of people who actually really look good. It's the criteria of our generation.
There are ugly aspects to every single person's character. In being truthful, actors do have to show the ugly side of someone's character. We all behave like dicks sometimes.
A person who actually knows how to wear clothes...they would look good in any clothes. You see this especially at the Academy Awards. Even if the dresses are beautiful and expensive and important, the actresses can't always carry them. Sometimes I feel like saying to them, "Act! You know how to act, you're an actor. You're about to win an award for, I don't know, convincingly playing that Venezuelan nun who went to war. Now act like you can wear this dress.".
Sometimes I hate the job that I do as an actor. I feel like I'm just of no importance in the world, but sometimes you get a real thrill out of the diversity of the work.
Sometimes people go off in a slightly different direction of wanting to be different, of wanting to be special, of wanting to be more, and I think that those people are often - not always, but often - genuinely different in some way. Perhaps their gender orientation is not acceptable or popular, not the norm. Or, their physical design is literally, in some way, setting them apart. Or, in many cases, they feel the burden of their ordinariness so dreadfully that they strive to find some way of being unique. I think that can be a very positive thing, but it also can be negative, destructive.
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