The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.
We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; but we can't accept it for what it is.
Man does not create gods, in spite of appearances. The times, the age, impose them on him.
Giese was an unemotional man, but then in the study of Solaris emotion is a hindrance to the explorer. Imagination and premature theorizing are positive disadvantages in approaching a planet where-as has become clear-anything is possible... The fact is that in spite of his cautious nature the scrupulous Giese more than once jumped to premature conclusions. Even when on their guard, human beings inevitably theorize.
There are three huge, titanic, space movies which if you ever make a film [about space] you cannot avoid. You may want to avoid them but you cannot. I've never known a genre like it where you are dictated to by these films, 2001, Alien, and Tarkovsky's Solaris.
What we're really after is simply that people acquire a legal license for Windows for each computer they own before they move on to Linux or Sun Solaris or BSD or OS/2 or whatever.
No company that I ever hacked into reported any damages, which they were required to do for significant losses. Sun didn't stop using Solaris and DEC didn't stop using VMS.
Microsoft made a big deal about Windows NT getting a C2 security rating. They were much less forthcoming with the fact that this rating only applied if the computer was not attached to a network and had no network card, and had its floppy drive epoxied shut, and was running on a Compaq 386. Solaris's C2 rating was just as silly.
For some time there was a widely held notion (zealously fostered by the daily press) to the effect that the 'thinking ocean' of Solaris was a gigantic brain, prodigiously well-developed and several million years in advance of our own civilization, a sort of 'cosmic yogi', a sage, a symbol of omniscience, which had long ago understood the vanity of all action and for this reason had retreated into an unbreakable silence.
With the Solaris, however, I wanted to design a very simple, elegant dress watch
In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.
A lot of people still like Solaris, but I'm in active competition with them, and so I hope they die.
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