My sketchbook is a witness of what I am experiencing, scribbling things whenever they happen.
It is often we come the closest to the essence of an artist... in his or her pocket notebooks and travel sketchbooks... where written comments and personal notes provide an intimate insight into the magical mind of a working artist.
When I see someone with an immaculate sketchbook, I don't trust that person.
Mostly, drawings are things I make for myself - I do them in sketchbooks. They are mental experiments - private inner thoughts when I'm not sure what will come out.
When it comes to my art work I would say that I am a perfectionist, although my sketchbook, and my process, is a mess.
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
How many of you are creative? I don't know, but for me, when you make a bunch of things over time and then you keep them... you forget. I look through my sketchbooks and I'm an audience for myself.
For me, the sketchbooks are more like a secret and wholly spontaneous jeu d'esprit and some of them I like as much as anything I have ever done. They are invariably without premeditation. I mean not only that I have no plan when I make them, I also have no plan to make them.
I filled my sketchbook with drawings, very much as any educated girl of my generation might have kept a diary.
I paint a little and keep sketchbooks because it has the effect of preventing me becoming lazy about looking. The subject could be anything.
Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams.
Picasso spent hundereds of hours carefully planning his masterpieces. The sketchbooks were filled with ideas, bits and pieces, test runs, none of it meant to be seen by anyone. In a similar way, rowing practices are our sketchbooks, where we prepared our raceday masterpiece.
I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.
Ever since I was very young, as far back as I can remember, I have loved making pictures. I knew even as a child that, when I grew up, I would be an artist of some kind. The lovely feeling of my pencil touching paper, a crayon making a star shape in my sketchbook, or my brush dipping into bright and colorful paints — these things affect me as joyfully today as they did all those years ago.
I don't know if I've ever had a muse per se. I would say that the woman I'm inspired by exists more in my sketchbooks. She exists in my head.
I thought the iPhone was great, but this takes it to a new level - simply because it's eight times the size of the iPhone, as big as a reasonably-sized sketchbook... Anyone who likes drawing and mark-making will like to explore new media.
Learn how to draw. It's the basis of what we [animation directors] do. Keep a sketchbook. Try making a very simple little film. Try and tell a story clearly and entertainingly. Study the way people move and animate move. Observe all you can, and try and capture that simply in a few lines on paper.
I had thought comics could only be one thing, and that was what mainstream comics were selling us. And the undergrounders proved anything you had in your head, as long as you had the skill to put it down on paper, was fair game. And I started filling sketchbooks with my own comics.
I used to bring my sketchbook to gym class and doodle, because I am a very uncoordinated athlete.
Us on hard drugs? That would be horrible. We'd probably end up sounding like Bryan Adams.My girlfriend has this quote in her sketchbook: Remain orderly in your life so you can be free and chaotic in your work. I think basically you lose it when you destroy your brain or destroy yourself emotionally or burn yourself up.
I like to make myself laugh. When I'm just sitting with a sketchbook and trying to make myself laugh or trying to come up with ideas, I try not to worry about aim right away. I'm just sort of shooting in all directions.
Many years after animating Ariel, I continue to draw her, doodling as I talk on the phone, absent-mindedly passing time in a sketchbook. She has become a part of me and yet now belongs to the world and generations to come.
She was a Jew feeder without a question in the world on that man's first night in Molching. She was an arm reacher, deep into a mattress, to deliver a sketchbook to a teenage girl. (84.25)
Now he's [Cinna] arranging things around my living room: Clothing, fabrics, and sketchbooks with designs he's drawn. I pick one up and examine one of the dresses I supposedly created. You know, I think I show a lot of promise," I say. Get dressed, you worthless thing.
When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.
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