The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.
The death agony of the barricade was about to begin.For, since the preceding evening, the two rows of houses in the Rue de la Chanvrerie had become two walls; ferocious walls, doors closed, windows closed, shutters closed. A house is an escarpment, a door is a refusal, a facade is a wall. This wall hears, sees and will not. It might open and save you. No. This wall is a judge. It gazes at you and condemns you. What dismal things are closed houses.
Philologically, the word Kodak is as meaningless as a child's first goo. Terse, abrupt to the point of rudeness, literally bitten off by firm and unyielding consonants at both ends, it snaps like a camera shutter in your face. What more would one ask. (Explaining why he named his company Kodak.)
The gift list is thinking upon His goodness – and this, this pleases Him most! And most profits my own soul and I am beginning, only beginning, to know it. If clinging to His goodness is the highest form of prayer, then this seeing His goodness with a pen, with a shutter, with a word of thanks, these really are the most sacred acts conceivable. The ones anyone can conceive, anywhere, in the midst of anything. Eucharisteo takes us into His love.
You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
...and each time I pressed the shutter release it was a shouted condemnation hurled with the hope that the picture might survive through the years, with the hope that they might echo through the minds of men in the future - causing them caution and remembrance and realization.
The surface of the quieted river, as I think now, is like a window looking into another world that is like this one except that it is quiet. Its quietness makes it seem perfect. The ripples are like the slates of a blind of a shutter through which we see imperfectly what is perfect. Though that other world can be seen only momentarily, it looks everlasting. As the ripples become more agitated, the window darkens and the other world is hidden.the surface of the river is like a living soul, which is easy to disturb, is often disturbed, but, growing calm, shows what it was, is, and will be.
Opening day. All you have to do is say the words and you feel the shutters thrown wide, the room air out, the light pour in. In baseball, no other day is so pure with possibility. No scores yet, no losses, no blame or disappointment. No hangover, at least until the game's over.
What is truth in photography? It can be told in a hundred different ways. Every thirtieth of a second when the shutter snaps, its capturing a different piece of information.
Be pleased with your real garden, don't persue the perfection of a picture. What you see in a photo lasted only as long as the shutter snap.
In a still photograph you basically have two variables, where you stand and when you press the shutter. That's all you have.
Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa around, And while the bubbling and loud-hissing urn Throws up a steamy column, and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful evening in
It’s not when you press the shutter, but why you press the shutter.
Poverty is a great cutter-off and riches a great shutter-off.
I do not understand what makes me take a picture. Cartier-Bresson talks about the decisive moment, the necessity to function with lynx eyes and silk gloves. Perhaps what happens when you press the shutter is an intuitive act infused with all you have learned.
In my years of photography I have learned that many things can be sensed, seen, shaped, or resolved in a realm of quiet, well in advance of, or between, the actual clicking of shutters and the sloshing of films and papers in chemical solutions. I work to attain a state of heart, a gentle space offering inspirational substance that could purify one's vision. Photography, like music, must be born in the unmanifest world of the spirit.
The moment when I press the shutter is fantastic, orgasmic, so charged with the hope that this will be a great, original, interesting, and perfectly composed photo. But like any other exciting thing in life, it is usually spoiled by some ridiculous, unpredictable, and annoying detail.
What makes you push the shutter has to do with seeking a kind of perfection, a harmony in the world. You are instinctively aware it's there, but you've got to be completely alert and quick and so deeply awake that it moves you.
I think essentially if you look at British public debate around the issues of our interconnectedness with the global economy you do not find a ready audience, of any large scale, for pulling up the shutters.
Cinematography was incredibly foreign to me, so I read as much as I could about it. Once I figured out that it was just photography with a set shutter speed, I got some slide film and I just went about storyboarding the script and taking snapshots. I took a ton of time doing it just to make sure I knew exactly what I was doing. By the end of it I knew what the film was going to look like - my exposure and the composition and everything. I wasn't scared of cinematography anymore.
I've always thought of characters like advent calendars. You have Christmas and you have all the little doors over the windows and every day you're allowed to open one more as it gets towards Christmas and you see more and more about what's inside that house.I remember as a kid being fascinated by that and I've always thought of my character as a little bit like that. I like to have secrets and slowly let those secrets out to the audience, sometimes never let them out, but let them see as you open the shutters, open and see a little bit more of a character.
You must photograph where you are involved; where you are overwhelmed by what you see before you; where you hold your breath while releasing the shutter, not because you are afraid of jarring the camera, but because you are seeing with your guts wide open to the sweet pain of an image that is part of your life.
I attempt to channel my anger into the tip of my forefinger as I press the shutter.
There are many reasons why photography does not attract the social and cultural attention it deserves. I would add one more which has received scant attention: it does not make a lot of noise. ... Perhaps photography would be more appreciated if camera shutters fired with the sound of a .357 Magnum.
There are only two hard things in photography; which way to point the camera and when to release the shutter.
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