A short story must have a single mood and every sentence must build towards it.
every short story is an experiment - what one must ask is not only, did it come off, but was it, as an experiment, worth making?
Short stories are tiny windows into other worlds and other minds and other dreams
A short story is what you see when you look out of the window.
A short story is. . .frequently the celebration of character at bursting point.
The great thing about a short story is that it doesn't have to trawl through someone's whole life; it can come in glancingly from the side.
A short story is a different thing all together - a short story is like a kiss in the dark from a stranger.
Details make stories human, and the more human a story can be, the better.
Short stories are tiny windows into other worlds and other minds and dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner.
For me, the short story is the depth of a novel, the breadth of a poem, and, as you come to the last few paragraphs, the experience of surprise.
The novel wins by points, the short story by knockout.
Not that the story need be long, but it will take a long while to make it short.
Find the key emotion; this may be all you need know to find your short story.
A short story is something that you can hold in your mind. You can really analyze how the entire thing works, like a machine
There is something I keep wanting to say about reading short stories. I am doing it now, because I many never have another occasion. Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait.
I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium.
In short stories there's more permission to be elliptical. You can have image-logic, or it's almost like a poem in that you can come to a lot of meanings within a short space.
The short story is the art form that deals with the individual when there is no longer a society to absorb him, and when he is compelled to exist, as it were, by his own inner light.
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.
In writing I found a way to make silence and to be silent. The short story has a lot more silence than the novel and that is its success.
It's possible, in a poem or short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things—a chair, a window curtain, a fork, a stone, a woman's earring—with immense, even startling power.
Women want love to be a novel, men a short story.
Some photographs are like a Chekhov short story or a Maupassant story. They're quick things and there's a whole world in them. But one is unconscious of it while shooting.
You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
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