If only,’ Shiroyama dreams, ‘human beings were not masks behind masks behind masks. If only this world was a clean board of lines and intersections. If only time was a sequence of considered moves and not a chaos of slippages and blunders.
Consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life? Doesn't the final meaning of life, too, reveal itself, it at all, only at its end, on the verge of death?
Yeah, I love A Nightmare on Elm Street. I was just a fan. I was such an avid fan. I remember being on the set talking about a sequence and he started asking me about maybe staging it a little different. I realized - I think he was shocked that I knew his work so well - I remember I started going like, "Why don't we do it like The Last House on the Left, where you had the girl on the ground..."
I enrolled at a local college, but this time paid attention to myself - took only courses that really interested me, even if they weren't in sequence; kept out of classes with people I knew from high school, because I tended to act like the class clown around them; selected teachers by their teaching style - until I could build up my study habits. I ended up graduating with a 3.97 GPA and got into Harvard for my doctorate.
I've had many students over the years, sometimes even very sophisticated students, who will be writing and will hit a wall. Often I find it's because they're working out of sequence. Maybe some people can do that, but I don't think that's how fiction works. It's a discovery.
I am committed now to one thing: lyric sequences. I want the intensity of lyric, but the scope and arc of narrative. so, I think I'll just write sequences for the foreseeable (the Beloved sequence doesn't have a 'plot' so I can just keep adding poems to it, it's like a giant bag I can just put beloved lyrics into - I think there are about 300 of them i've published by now).
It will be possible, through the detailed determination of amino-acid sequences of hemoglobin molecules and of other molecules too, to obtain much information about the course of the evolutionary process, and to illuminate the question of the origin of species.
Language is a theme in the whole book, no? I mean it ends with the title poem about words are all we have. I guess midrash makes sense. How does it change in the course of the sequence? Well, God is into No and into Stasis/Nouns. Adam and Eve, in order to be in this world (and get this world going) must choose verbs. Which is to gain sex but also to choose death and all else that goes with change. To choose becoming over being.
High culture is nothing but a child of that European perversion called history, the obsession we have with going forward, with considering the sequence of generations a relay race in which everyone surpasses his predecessor, only to be surpassed by his successor. Without this relay race called history there would be no European art and what characterizes it: a longing for originality, a longing for change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, they're all runners in the relay race, they all belong to the same stadium.
The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause.
If I had to write a rough draft, all the way through and then go back and start over, I probably would just stop writing. I wouldn't find that interesting. I would feel that I had committed so many things to the paper that I couldn't easily undo because one thing leads to the next, the interconnectedness, the sequences would make it very hard to change something that simply didn't work.
The biggest challenge is not coming up with the stunt, the biggest challenge is designing a sequence around it that sort of justifies its existence.
Dance design is not simply one element; it is that without which ballet cannot exist. As aria is to opera, words to poetry, color to painting, so sequence in steps - their syntax, idiom, vocabulary - are the stuff of stage dancing.
What is happening now is of a geological and biological order of magnitude. We are upsetting the entire earth system that, over some billions of years and through an endless sequence of groping, of trials and errors, has produced such a magnificent array of living forms, forms capable of seasonal self-renewal over vast periods of time.
I think their pasts are treated with a voice that sees their role as those of innocents. That's reflected in the past time sequences. They're less "written."
For anyone who's a fan of the X-files show - I mean, I have the ultimate role. I got to deal with Mulder, I got to talk to him, I had a fight sequence with him. Really for anyone who is a fan of the show, I think I fulfilled a lot of young boys' dreams.
What I'm talking about is the order of deportation, the sequence of deportation. It is almost impossible to move 11 million illegal immigrants overnight. You do it in steps.
The variety within Mann's fiction is impressive and fascinating. But Joyce is even more various and many-sided. He begins his career with a wonderful sequence of bleak studies about the ways in which human lives can go awry - in my view, Dubliners is underrated.
Obviously, movies don't almost ever shoot in sequence.
When it came time to sequence the album, the new arrangements really demanded a different order. They were so different than they were before that the old sequence didn't work anymore.
There's nothing that compares to watching that final of Charles Mee’s 'The Glory of the World' play at BAM17 to 20 minute sequence in one sitting. It fills you with a giddy energy watching that. Then, being gifted with the silence that follows...I've never had a theatrical experience like that before, I'm sure.
Every one knows that the heavenly bodies move in certain paths in relation to each other with seeming consistency and regularity which we call [physical] law. ... No one attributes freewill or motive to the material world. Is the conduct of man or the other animals any more subject to whim or choice than the action of the planets? ... We know that man's every act is induced by motives that led or urged him here or there; that the sequence of cause and effect runs through the whole universe, and is nowhere more compelling than with man.
I don't write [screenplay character] biographies beforehand. I usually go in knowing some sequences: this is where I want to start, this is where I want to end.
I have a hunch that the unknown sequences of DNA will decode into copyright notices and patent protections.
The body of science is not, as it is sometimes thought, a huge coherent mass of facts, neatly arranged in sequence, each one attached to the next by a logical string. In truth, whenever we discover a new fact it involves the elimination of old ones. We are always, as it turns out, fundamentally in error.
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