In antiquity the sage kings recognized that men's nature is bad and that their tendencies were not being corrected and their lawlessness controlled.
The popular mythology of creative genius depends on beloved stereotypes of the artist in youth and old age: the misunderstood upstart who forces us to see the world afresh; and the revered sage who shows us depths of insight attainable only through a lifetime of hard-won experience.
Every one is struggling for freedom-from the atom to the star. The ignorant man is satisfied if he can get freedom within a certain limit-if he can get rid of the bondage of hunger or of being thirsty. But that sage feels that there is a stronger bondage which has to be thrown off. He would not consider the freedom of the Red Indian as freedom at all.
Our sages developed music from time immemorial to take shelter in one's true self. Real music is not for wealth, not for honors, or not even for the joys of the mind - it is a path for realization and salvation.
Both scientists and sages have told us what we already know to be true in our hearts: everything is connected. Therefore as we change, the world cannot help but change with us.
Students of the heavens are separable into astronomers and astrologers as readily as the minor domestic ruminants into sheep and goats, but the separation of philosophers into sages and cranks seems to be more sensitive to frames of reference.
If the way of the sage is true, that we are all dreaming our world into being, then it has to apply not only to our private, personal universe but to the world at large.
To paraphrase several sages: Nobody can think and hit someone at the same time.
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