I guess the line between being paranoid and being a rock star is smaller than one would expect.
I spent time at my grandfather Dino's gourmet store where he brought in chefs from Naples to cook. I thought of them as rock stars.
A poet might die at twenty-one, a revolutionary or a rock star at twenty four. But after that you assume everything’s going to be all right. you’ve made it past Dead Man’s Curve and you’re out of the tunnel, cruising straight for your destination down a six lane highway whether you want it or not.
You learn that the only way to get rock-star power as a girl is to be a groupie and bare your breasts and get chosen for the night. We learn that the only way to get anywhere is through men. And it's a lie.
Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'
There's something that sort of weirds me out about actors who want to be rock stars, and the other way around too.
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