I try to work every day, even when I'm not motivated. Ritual is very important to me.
....the ancient ritual of the earth; ploughing and planting, reaping and threshing. The fundamental business remains unaltered; it is only the methods and tools that science is changing.
I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
Ballet really lends itself to that because there's such a sense of ritual, with wrapping the shoes every day and preparing new shoes for every performance. It's such a process. It's almost religious, in nature.
It's not easy to live every moment wholly aware of death. It's like trying to stare the sun in the face: you can stand only so much of it. Because we cannot live frozen in fear, we generate methods to soften death's terror. We project ourselves into the future through our children; we grow rich, famous, ever larger; we develop compulsive protective rituals; or we embrace an impregnable belief in an ultimate rescuer.
The gods had gone away, and the ritual of the religion continued senselessly, uselessly.
The whole history of Israel, its ritual and its government, is explicable only as it is typical of the spiritual Israel, of the sacrifice on Calvary, of the precious blood which alone can wash away sin.
No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.
Medical training taught me the art of breaking down the complex maze of stories, symbols and rituals into clear systems. You could say that it helped me figure out the anatomy and physiology of mythology and its relevance in a society more incisively. How is it that no society can, or does, exist without them?
When prayer, rituals and ascetic life are just a means of self-indulgence, they are harmful rather than beneficial. This is quite obvious to people nowadays, when it is widely recognised that fixations are not the same as valuable and laudable observances. One should not pray if that prayer is vanity; rituals are wrong when they provide lower satisfactions, like emotional stimulus instead of enlightenment; he or she should not be an ascetic who is only enjoying it.
A central feature of the ceremonial associated with Mithras was the taurobolium, the ritual slaughter of a bull which commemorated and repeated Mithras' primeval act. The initiate was baptized in its blood, partaking of its life-giving properties. It may be noted that this part of the ceremonial closely resembled the ritual of the cult of Cybele, the Great Mother of Asia Minor, which had been brought to Rome three centuries before Christ.
I'm for prayer in the schools because ritual and ceremony are calming and civilizing, and the little fartlings should be tamped down whenever possible.
Forgiving presupposes remembering. And it creates a forgetting not in the natural way we forget yesterday's weather, but in the way of the great "in spite of" that says: I forget although I remember. Without this kind of forgetting no human relationship can endure healthily. I don't refer to a solemn act of asking for and offering forgiveness. Such rituals as sometimes occur between parents and children, or friends, or man and wife, are often acts of moral arrogance on the one part and enforced humiliation on the other. But I speak of the lasting willingness to accept him who has hurt us.
...I had grown up in a world that was dominated by immature age. Not by vigorous immaturity, but by immaturity that was old and tired and prudent, that loved ritual and rubric, and was utterly wanting in curiosity about the new and the strange. Its era has passed away, and the world it made has crumbled around us. Its finest creation, a code of manners, has been ridiculed and discarded.
The need for the creation of collective art and ritual on a nonclerical basis is at least as important as literacy and higher education.
I am convinced that everything that is worth while in the world has been accomplished by the free, inquiring, critical spirit, and that the preservation of this spirit is more important than any social system whatsoever. But the men of ritual and the men of barbarism are capable of shutting up the men of science and silencing them forever.
American literature has been, and is, singularly deficient in established critics who have anything like a rational conception of their jobs. The majority, initiate in a few of the patent rituals of Aristotle and Quintilian, don the forbidding robes of high priests to Sweetness and Light, and go about their business much as if the idea were to keep all they know to themselves.
With the advance of knowledge, therefore, prayer and sacrifice assume the leading place in religious ritual; and magic; which once ranked with them as a legitimate equal, is gradually relegated to the background and sinks to the level of a black art.
I respect the Bible and offer namaz regularly. But I am ritualistic only up to a certain extent. I believe only in those rituals that I can understand and connect with, and conduct them my own way.
Man must learn to believe in that which he does not, at the moment, see in order to grant himself that which he desires to have. Man's prayers are always answered, for he always receives that which he believes. The law that governs prayer is impersonal. Belief is the condition necessary to realize the desire. No amount of pleas or ritual will bring about the fulfillment of your desires other than the belief that you are or have that which you want.
Rajneeshism is creating a Noahs Ark of consciousness, remaining centered exactly in the middle of the cyclone. You can only escape within, and thats what I teach. I do not teach worship of God or any other ritual but only a scientific way of coming to your innermost core.
The genius of Freemasonry is not our Masonic buildings and temples or the trappings of our organizations. It is not our great charities or community activities. It is not our beautiful rituals or their teachings! It is the 'practice of Freemasonry' by the Freemasons. Yet we cannot practice that which we do not know or understand. Thus Masonic education is the foundation for our Fraternity. Brother Carl H. Claudy in The Master's Book says, '.. one thing and only one thing a Masonic Lodge can give its members which they can get nowhere else in the world. That one thing is Masonry.
Poetry is one of the essential structures of civilization - carrying myth, ritual, 'tales of the tribe' and the essence of language.
Sex is not some sort of pristine, reverent ritual. You want reverent and pristine, go to church.
I've always been a fan of vinyl. There's something about the ritual of it. Something about it holds its gravity, for some reason. Sometimes you'll put on music and the music fades into the background. But when you take that vinyl out and put it down, the music becomes the conversation as opposed to being the soundtrack to it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: