We are looking at what more we can do. As well as a strong security response we need a strong humanitarian one.
At first, my love was just to be in the studio and make the music and enjoy it when I hear it played back, but then the biggest thing for me was to see the response of the people. When you go out and see the energy in the crowd, it's incredible.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.
On all levels, evolution occurs in response to a crisis situation, not infrequently a life-threatening one, when the old structures, inner or outer, are breaking down or are not working anymore. On a personal level, this often means the experience of loss of one kind or another: the death of a loved one, the end of a close relationship, loss of possessions, your home, status, or a breakdown of the external structures of your life that provided a sense of security.
Evolution usually occurs in response to a crisis situation, and we now are faced with such a crisis situation. This is why there is indeed an enormous acceleration in the awakening process of our species.
As I grew older and more mature, I've been able to move beyond the immediate response of violence to a projection of the pragmatic, political consequences of that violence. So it's an effort to attain equilibrium.
When I was a kid, I did want to be a boy. I didn't like to play with dolls, and most of my friends were kind of sensitive, sissy boys. But as I got older, the mystique of being a girl began to interest me. It was confusing what sexuality was, and the responses of other people, but it didn't make me feel terrified or vulnerable.
Is there any indication we shouldn't be depressed - are you living on the same planet that I am? Do you ever think that depression might be the reasonable human response to the crap we're going through as a species, meant to propel us into the next evolutionary step, or at least into taking some different course of action so we might survive? Do you ever think that maybe it's the happy people that are really screwed up in the head?
I think self-expression is present at all times, and whether or not you're talking about the outside world or your responses to it depends on the moment and the subject.
I've never found that getting physical is ever the best response in a bar. You just have to make sure you keep your distance, and if it gets to a point where it gets aggressive then the best thing to do is go get a bouncer and get the situation resolved intelligently.
Gluten free pizza elicits the same response at a hollywood party that a pile of cocaine did in the 80's.
I believe that modern science supports free will, in showing that the brain can act spontaneously, not only in response to external stimuli.
Earth's immune system - its rapid response team of self-protection - becomes invigorated at times of peril. And one sees it at play now in the upwelling of grassroots work aimed at finding a sustainable future.
I think that the response to the OJ Simpson trial was based on a kind of sensibility that emerged out of the many campaigns to defend black communities against police violence.
A good poem is not completely a poem until it has received a critical response that grows out of the poem in an almost biological way.
With the high stress of life many people find that their mind is constantly racing. They cannot stop from thinking even during time away from work or school, when they'd like to be relaxing. Subsequently, they may also feel associated physical tension in their bodies. In this case, the mind and the body are very closely connected to the stress response.
The physical act of meditating by closing one's eyes and slowing down the speed of internal thoughts - especially worrisome thinking - results in a physiological response that is well documented in the scientific literature.
The libertarian approach is a very symmetrical one: the non-aggression principle does not rule out force, but only the initiation of force. In other words, you are permitted to use force only in response to some else's use of force. If they do not use force you may not use force yourself. There is a symmetry here: force for force, but no force if no force was used.
They are, in a sense, two sides of the same coin: women are, on the one hand, subjects of an extremely real and abject (as Julia Kristeva put it) body and denigrated sexuality; on the other, the proliferation of images, and their digitalisation produces more and more abstract and air-brushed representations of impossible female bodies. Both indicate, certainly, a "lack of progress." But, one hopes, discussions and resistance are emerging in response.
Abolitionism did not find positive response in Africa as it did in Western societies and cultures.
I love talking to all the kids, and have enjoyed the enthusiasm and response from their teachers as well.
Be prepared for negative responses sometimes. It doesn't have anything to do with you. It's just sometimes you're not the right look, or you're not really what they were envisioning.
Sound continues to be a mystery to me, in that one could create infinite songs focusing on the same subject, but depending on the melody, instrument choice, minor or major key, time signature, etc., each song could elicit an entirely different response.
I do not care that the people is for or against me. The important thing is that I am appreciated by a response of boos or cheers. This is the important thing. it is important that people see me as a superstar talent that they want to see. I enjoy being heel.
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