Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid.
Wembley way is beginning to blacked with people in terms of red and blue
Blue does not go with everything," Will told her. "It does not go with red, for instance." "I have a red and blue striped waistcoat," Henry interjected, reaching for the peas. "And if that isn't proof that those two colors should never be seen together under Heaven, I don't know what is.
I have to dig from myself versus digging from something that I like. Digging from something you like is easy whereas from your inside, it's a totally different ballgame altogether. That's not a matter between picking red and blue, it's not like that. It's a decision, it's a choice and, like I've said in the past, it's like jumping off a cliff and hoping you survive the jump.
But surely, speaking carefully, we do not sense 'red' and 'blue' any more than 'resemblance' (or 'qualities' any more than 'relations'): we sense something of which we might say, if we wished to talk about it, that 'this is red.'
I am very astonished that the scientific picture of the real world around me is deficient. It gives a lot of factual information, puts all our experience in a magnificently consistent order, but it is ghastly silent about all and sundry that is really near to our heart, that really matters to us. It cannot tell us a word about red and blue, bitter and sweet, physical pain and physical delight; it knows nothing of beautiful and ugly, good or bad, God and eternity.
We have a unique opportunity to unite America, urban and rural, coastal and midwestern, red and blue, under the banner of a truly unifying national effort. We can start right now.
Imagine a mosaic picture of a house in the country: lots of red and blue and yellow and black and brown and white and a dozen different shades of green tiles which make a beautiful picture if you stand back far enough. All the little red squares are true - true things, true places, true feelings. But the red squares aren't the picture. All the rest of it is lies and stories, often within the same sentence.
Munch writes poetry with color. He has taught himself to see the full potential of color in art His use of color is above all lyrical. He feels color and he reveals his feelings through colors; he does not see them in isolation. He does not just see yellow, red and blue and violet; he sees sorrow and screaming and melancholy and decay.
We have two nations, and it's not black or white. It's red and blue. Under Republican leadership, cities tend to do better. Cities are destroyed under Democrats, because they don't know how to deal with the constituency; they're terrified.
Maybe the reality-based fractions of red and blue America are reaching a sort of consensus: Just as Republicans are beginning to get why George Bush makes so many Americans want to rip their hair out, a lot of Democrats have finally, viscerally come to understand Clinton-loathing. Mutual, symmetrical disillusionment; it's a start.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
One difficulty in making the Senate work the way it was intended is that America's electorate is increasingly divided into red and blue states, with lawmakers representing just one color or the other.
Most Americans in both red and blue states reject and resent the message being sent by Hollywood and some in the media that values are subjective, to be defined by the individual and not by God.
Literature as a whole is not an aggregate of exhibits with red and blue ribbons attached to them, like a cat-show, but the range of articulate human imagination as it extends from the height of imaginative heaven to the depth of imaginative hell.
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