I think a sense of humor is the emotional equivalent of a sense of realism. One should not take everything seriously, and everybody takes some things seriously.
Realism...has no more to do with reality than anything else.
When a man speaks of the need for realism one may be sure that this is always the prelude to some bloody deed.
Success is found balanced between optimism and realism, where it is unhindered by the weight of pessimism.
Realism is for pessimists. An optimist creates his own reality.
The good thing about writing a true story is that you don't have to worry about giving an impression of realism.
You collaborate with actors who are also talented and visionary and come together on a artistic direction within the confines of humanity and realism. The collaboration that you have had with all of these people plays an integral role in its final stage where editing and music are combine to enhance your work. This whole process is very rewarding and I wouldn't trade it for anything.
Obviously all religions get corrupted by man. The initial ideas are interesting but once they get organized they seem to become about politics and other things and they get misinterpreted. . . . Have faith but do the work. Live your life right. Dont expect things to happen. Thats why Im put off by magical realism.
Reality isn't the way you wish things to be nor the way they appear to be but the way they actually are.
Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is: what will a healthy man do with a fantastic world? The problems of the modern novel is: what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.
Watt's concern, deep as it appeared, was not after all what the figure was, in reality, but with what the figure appeared to be, in reality.
All seemingly profound thinking which passes for realism, because it conveniently does away with all troublesome principles, has agreat attraction for the adolescent mind.
Delicious... Everything I'd hoped for in a new Wild Cards book. The character interactions and plot twists have exactly the complexity, surprise, and unsentimental realism I'd expect out of a George R. R. Martin project.
That reality is 'independent' means that there is something in every experience that escapes our arbitrary control. If it be a sensible experience it coerces our attention; if a sequence, we cannot invert it; if we compare two terms we can come to only one result. There is a push, an urgency, within our very experience, against which we are on the whole powerless, and which drives us in a direction that is the destiny of our belief.
Listen to me: a family man is never a real family man. An assassin is never entirely assassin. They play a role, you understand. While a dead man, he is really dead. To be or not to be, right?
Realism: the wealth of detail guarantees the truth of the tale.
Ideas are so much flat psychological surface unless some mirrored matter gives them cognitive lustre. This is why as a pragmatistI have so carefully posited 'reality' ab initio, and why throughout my whole discussion, I remain an epistemologist realist.
The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.
You cannot prove realism to a complete sceptic or idealist; but you can show an honest man that he is not a complete sceptic or idealist, but a realist at heart. So long as he is alive his sincere philosophy must fulfil the assumptions of his life and not destroy him.
No sane man can be happy, for to him life is real, and he sees what a fearful thing it is.
... there is no point in being realistic about here and now, no use at all not any, and so it is not the nineteenth but the twentieth century, there is no realism now, life is not real it is not earnest, it is strange which is an entirely different matter.
The question of "unreality"is a very important one. Misled by grammar, the great majority of those logicians who have dealt with this question have dealt with it on mistaken lines. They have regarded grammatical form as a surer guide in analysis than, in fact, it is. And they have not known what differences in grammatical form are important.
If we dreamed the same thing every night, it would affect us much as the objects we see every day. And if a common workman were sure to dream every night for twelve hours that he was a king, I believe he would be almost as happy as a king who should dream every night for twelve hours on end that he was a common workman.
In even the happiest love story, the World wins at last.
The absolute has moved into the fortress of the absurd.
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