Special-interest publications should realize that if they are attracting enough advertising and readers to make a profit, the interest is not so special.
Great literature should do some good to the reader: must quicken his perception though dull, and sharpen his discrimination though blunt, and mellow the rawness of his personal opinions.
Your reader is at least as bright as you are
I have often wondered how anyone who does not read, by which I mean daily, having some book going all the time, can make it through life. Indeed if I were required to make a sharp division in the very nature of people, I would be tempted to make it there: readers and nonreaders of books... It is astonishing how the presence or absence of this habit so consistently characterizes an individual in other respects; it is as though it were a kind of barometer of temperament, of personality, even of character. Aside from that, for me it constituted something like sanity insurance.
A Wired reader told me once, Get a life, which I read from the back of a yacht in the Aegean, while eating fresh sea urchins and drinking terrific Montrachet.
... I bid farewell to my readers in the hope that they have formed their own opinion as to the meaning of the word "combination".
(3) 'IS IT A SYSTEM...?' ... Ultimately, I suspect, this is a question about which the reader should form his own judgement by study of the original text.
Such reproductions may not interest the reader; but after all, this is my autobiography, not his; he is under no obligation to read further in it; he was under none to begin. A modest or inhibited autobiography is written without entertainment to the writer and read with distrust by the reader.
The intelligent perusal of fine games cannot fail to make the reader a better player and a better judge of the play of others.
By the consultation of books, whether of dead or living authors, many temptations to petulance and opposition, which occur in oral conferences, are avoided. An author cannot obtrude his service unasked, nor can be often suspected of any malignant intention to insult his readers with his knowledge or his wit. Yet so prevalent is the habit of comparing ourselves with others, while they remain within the reach of our passions, that books are seldom read with complete impartiality, but by those from whom the writer is placed at such a distance that his life or death is indifferent.
The best books are not read even by those who are called good readers. What does our Concord culture amount to? There is in this town, with a very few exceptions, no taste for the best or for very good books even in English literature, whose words all can read and spell.
Among those whose reputation is exhausted in a short time by its own luxuriance are the writers who take advantage of present incidents or characters which strongly interest the passions, and engage universal attention. It is not difficult to obtain readers, when we discuss a question which every one is desirous to understand, which is debated in every assembly, and has divided the nation into parties; or when we display the faults or virtues of him whose public conduct has made almost every man his enemy or his friend.
Nothing contributes to the entertainment of the reader more, than the change of times and the vicissitudes of fortune.
The most intelligent inspection of any number of fine paintings will not make the observer a painter, nor will listening to a number of operas make the hearer a musician, but good judges of music and painting may so be formed. Chess differs from these. The intelligent perusal of fine games cannot fail to make the reader a better player and a better judge of the play of others.
The best leaders are readers of people. They have the intuitive ability to understand others by discerning how they feel and recognizing what they sense.
There are three things, after all, that a poem must reach: the eye, the ear, and what we may call the heart or the mind. It is the most important of all to reach the heart of the reader.
Don't dumb down; always write for your top five percent of readers.
The only story that seems worth writing is a cry, a shot, a scream. A story should break the reader's heart.
I think it's important to leave spaces in a story for readers to fill in from their own experience.
In writing, punctuation plays the role of body language. It helps readers hear you the way you want to be heard.
You can solve most of your writing problems if you stop after every sentence and ask: what does the reader need to know next?
I work on the assumption, or let it be the fear, that the reader will stop reading if I stop being interesting.
I don't want the reader to be aware of me as the writer.
Publishing should be a collaboration between authors and their smartest readers - and at some point the distinction should become meaningless.
Way back in 1989, I got lucky with my first published story when it was selected for the Journey Prize anthology. Then I got lucky three more times. It is astounding to see how many writers published in the anthology have gone on to publish great story collections and novels. The anthology is a windfall for both writer and reader.
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