One thing that got me started on it was the jean jacket. It's an item that could make you believe you're in the 50s or punk-rock 70s or grunge 90s. I was really focused on timelessness, and I think music is very timeless.
My whole view of music completely flipped over on its head. I grew up listening to punk rock, SST. I liked people that were making music that weren't necessarily very good at their instruments, it was more about the ideas they had than how well they could play and sing.
You can't really come into a concept record objectively, because you immediately associate it with Yes, stuff from the 1970s that punk rock kicked against, the pretentiousness.
To me, the punk rock kids I grew up with were really, really smart, and to me, respecting those kids was a really big deal.
Woody Weatherman showed me two beats, the "do do dat, do do dat" rock beat and the "ooh at ooh at ooh at" punk beat and other than that I was pretty limited. I had just gotten a drum kit for Christmas, which I was stoked about so I was ready to go. Back then, the prerequisite for playing punk rock drums wasn't very high, it was really pretty generic as I'm sure you can imagine.
"Masters of War" [of Bob Dylan] wasn't peacenik, anti-war stuff. With its minor key and uncompromising final lines ("And I hope that you die/And your death'll come soon/ I will follow your casket/ In the pale afternoon...") this was a previously unknown hybrid of caustic political commentary and punk rock, which itself wouldn't be invented for another decade or so.
I am far from an "old" person in human terms, however I've spent over half my life immersed in the punk rock and hardcore community. I am not wholly defined by that as a person, but it is something that has been part of me for a long time.
As a child there was no place for adventure or experimentation. I guess that kind of freedom started in high school with punk rock. That's what enlightened me to not being afraid to express myself.
Pledge Allegiance was a pretty generic name back in the day. In the 80's I was the promoter for all the punk rock shows and I'd book Black Flag, Dead Kennedy's, Minor Threat etc and I'd hook them up with places to stay if needed so it's hard to keep track of it all.
When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.
I change my mind about things - for a while I was punk rocker, and if you weren't a punk rocker you were an apostate. Then I was a dance music enthusiast, and if you weren't a dance music enthusiast, you were an apostate. I was carnivore, and if you were a vegan, I didn't want to talk to you. Then I was vegan, and if you were a carnivore I didn't want to talk to you.
I don't have any phobias with any language, and I've grown up listening to Anglo-American rock n roll as well as Welsh-language punk rock and I'm all for sharing languages.
I'd always wanted to make a record with Jim Dickinson, and I'd known about his boys for years, ... He reminded me that when they were 13 or 14 years old they had a punk rock band and I'd called him and wanted to make a record with them then.
If there's one thing that differentiates me from the rest of my family it's the rock element. I hung out with friends who like punk rock a lot. Not getting a big record deal, and having a hard time for years, it means you have to prove yourself and scratch your way up from nothing.
I was starting to play the ukulele at the same time I was having all these conversations with [the late Ramones guitarist] Johnny Ramone, these intense tutorials staying up late and listening to the music he grew up on, and picking up what's a great song and what makes a great song. He was all about lists and dissecting songs, like what's a better song by Cheap Trick: "No Surrender" or "Dream Police"? Sometimes you'd be surprised by the answer. It was an interesting dichotomy between hanging out with the godfather of punk rock and starting to play the ukulele. They came together.
I was talking to somebody about the L.A. hardcore scene, and they were saying that it was hard for them to picture punk rock at the beach. Like, the aesthetic didn't mix or something - black forms in the sand.
Punk rock, when I was a part of it, was called 'the underground.' There was something very attractive in all the hidden places, the hidden histories.
I just think that playing bass, like punk rock bass with a pick, wasn't meant to be done for 25 years.
Science is very vibrant. There are always new observations to be found. And it's all in the interest in challenging the authority that came before you. That's consistent with the punk rock ethos that suggests that you should not take what people say at face value.
Sometimes, if you want to be happy, you've got to run away to Bath and marry a punk rocker. Sometimes you've got to dye your hair cobalt blue, or wander remote islands in Sicily, or cook your way through Mastering the Art of French Cooking in a year, for no very good reason.
It’s a similar feeling from being in a community of punk rockers as a teenager and the feeling I still get today when I’m in a community of skeptical scientists. The idea with both is that you challenge authority, you challenge the dogma. You challenge the doctrine in order to make progress. The thrill of science is the process. It’s a social process. It’s a process of collective discovery. It’s debate, it’s experimentation and it’s verification of claims that might be false. It’s the greatest foundation for a society.
I used to hang out with a bunch of old punk rockers when I was a little kid.
There was a moment when Prince did rock & roll with a sponge-y seductive sound. I think that's what was in our head for 'Get On Your Boots.' But actually, the song is much more punk rock.
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
Jay Z in many ways is a rock artist. In the sense that they've used hard rock, punk rock, psychedelic rock aesthetics and influences in their music. When you see Kanye West, he has a full band playing. Jay Z has a full band playing with Marshalls.
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