Poetry is that magic which consists in awakening sensations with the help of a combination of sounds ... that sorcery by which ideas are necessarily communicated to us, in a definite way, by words which nevertheless do not express them.
The poem, in a sense, is no more or less than a little machine for remembering itself ... Poetry is therefore primarily a commemorative act.
Poetry is not the record of an event: it is an event.
I am one of those who hold that poetry is never so blithe as in a wanton and irregular subject.
A true poem is distinguished not so much by a felicitous expression, or any thought it suggests, as by the atmosphere which surrounds it. Most have beauty of outline merely, and are striking as the form and bearing of a stranger; but true verses come toward us indistinctly, as the very breath of all friendliness, and envelop us in their spirit and fragrance.
Poetry is the mysticism of mankind.
When I stand in a library where is all the recorded wit of the world, but none of the recording, a mere accumulated, and not trulycumulative treasure; where immortal works stand side by side with anthologies which did not survive their month, and cobweb and mildew have already spread from these to the binding of those; and happily I am reminded of what poetry is,--I perceive that Shakespeare and Milton did not foresee into what company they were to fall. Alas! that so soon the work of a true poet should be swept into such a dust-hole!
Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.
The science of Humboldt is one thing, poetry is another thing. The poet to-day, notwithstanding all the discoveries of science, and the accumulated learning of mankind, enjoys no advantage over Homer.
Milton says, that the lyric poet may drink wine and live generously, but the epic poet, he who shall sing of the gods, and their descent unto men, must drink water out of a wooden bowl. For poetry is not "Devil's wine," but God's wine.
O cloud-pale eyelids, dream-dimmed eyes, The poets labouring all their days To build a perfect beauty in rhyme Are overthrown by a woman's gaze.
Poetry is the renewal of words, setting them free, and that's what a poet is doing: loosening the words.
A poet's object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.
Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.
... the reason why there are so few first-class poets is that many people have intense feelings or first-class minds but to get the two together so that you will be willing to put a poem through sixty drafts, to be that self-critical, to keep breaking it down, that is what is rare. Right now most poetry is just self-indulgence.
Poetry is a finikin thing of air That lives uncertainly and not for long Yet radiantly beyond much lustier blurs.
... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
As we speak of poetical beauty, so ought we to speak of mathematical beauty and medical beauty. But we do not do so; and that reason is that we know well what is the object of mathematics, and that it consists in proofs, and what is the object of medicine, and that it consists in healing. But we do not know in what grace consists, which is the object of poetry.
Poetry is concerned with using with abusing, with losing with wanting, with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that and doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry.
Poetry is a very complex art.... It is an art of pure sound bound in through an art of arbitrary and conventional symbols.
Poetry is essentially the antithesis of Metaphysics: Metaphysics purge the mind of the senses and cultivate the disembodiment of the spiritual; Poetry is all passionate and feeling and animates the inanimate; Metaphysics are most perfect when concerned with universals; Poetry, when most concerned with particulars.
Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quitewell developed civilizations can produce good prose. So don't think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you'll see what I mean.
The belief in poetry is a magnificent fury, or it is nothing.
A tailor can adapt to any medium, be it poetry, be it criticism. As a poet, he can mend, and with the scissors of criticism he candivide.
German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.
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