A life without purpose is like a novel without a plot. It wanders all over the place, is hard to follow, and in the end, doesn't get particularly good reviews.
Plot and character are virtually the same thing.
Once somebody's aware of a plot, it's like a bone sticking out. If it breaks through the skin, it's very ugly.
The real story is not the plot, but how the characters unfold by it.
Character is half the reason we read. We're excited because of the plot, but we care because of the characters.
Think of it as the Doorway of No Return. The feeling must be that your lead character, once she passes through, cannot go home again until the major problem of the plot is solved.
There is not one big cosmic meaning for all, there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person.
Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot. BY ORDER OF THE AUTHOR per G.G., CHIEF OF ORDNANCE
I feel that discussing story-writing in terms of plot, character, and theme is like trying to describe the expression on a face by saying where the eyes, nose, and mouth are.
The whole magic of a plot requires that somebody be impeded from getting something over with.
Conspiracy! Intrigue! A rapidly thickening plot! Add some bestiality and a lecherous priest and I'd say you have the beginnings of a beautiful novel.
The person you are (in total, at that moment in time) is what creates the story you're writing. It's infused in every piece of punctuation, in the plot, in the most minor character who crosses the page. It's all your voice.
When the reader and one narrator know something the other narrator does not, the opportunities for suspense and plot development and the shifting of reader sympathies get really interesting.
In a novel, the biggest symbiosis exists between plot and character. In a song, it would be the lyrics and the melody.
Character is the plot in many ways
This blessed plot, this earth, this realm, this England.
I plot as I go. Many novelists write an outline that has almost as many pages as their ultimate book. Others knock out a brief synopsis... Do what is comfortable. If you have to plot out every move your characters make, so be it. Just make sure there is a plausible purpose behind their machinations. A good reader can smell a phony plot a block away.
I don't really know what an adverb is. A dangling participle? That sounds really rude. I don't know what character is, really. Plot seems vaguely juvenile to me. It's all about language, it's all about how you apply it to the page.
Life is replete with comedy, drama, horror, suspense, tragedy, romance, mystery, fantasy and a good dose of fiction. While at times the plot may seem to be lacking, the special effects alone are well worth the price of admission.
I would love to travel to the future to plot out some things so there's no more guess work.
There's also something happening in television similar to what happened in the '80s, when people stopped taking so many drugs and wanted to hear real instruments in music again. I think people want plot, story and characters. Those are more important than having a big star.
The reason I collect good ideas is because plots themselves are very difficult indeed to come by.
I always try to tell a good story, one with a compelling plot that will keep the pages turning. That is my first and primary goal. Sometimes I can tackle an issue-homelessness, tobacco litigation, insurance fraud, the death penalty-and wrap a good story around it.
To honor life, we must be willing to grow through what we don't know yet, and outgrow what we know no longer fits us. We must be willing to give in to the process, moment by moment, realizing a new plot may be unfolding.
Plot makes the character just as history makes the man.
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