One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't. And clearly the ones who wrote music were more superior human beings in his mind. So he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that. One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
Everything I chose, I had already played in concert. For the competition, I wanted to pick pieces I know that people like.
It has affected me very much in the last 10 years. I get it from my grandmother. She was very superstitious as well. I'm funny about numbers. It's become a phobia, so I have to watch it. It affects your day a lot. Before I go on stage, there are certain things I do that are semi-sort of Gypsy superstitious things, but I'm coping with them. It hasn't affected the music, thank God. If you got really bad, you'd say "I'll pick that note instead of that one or sing this song before that.
Thank heavens when the first single Bye Bye came off this album work started to pick up, then I'm Alright has taken us across the world. Radio has been very good, it has chosen to be kind to us.
I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.
Yeah. It's all in the music first. The music is like women to me. It's like how you pick your music: everybody got their own different way how they pick their women and their music, and I guess that's what the album becomes.
I could never really tell you what direction. It's just however God just makes it; that's how all of my albums are. I don't really aim for a direction, but I just pick the best beats I can pick and that's it.
NEU!'s music will always ("für immer") be a part of me and I absolutely stand to what we've created. Of course I have changed since and I judge my contributions to NEU!'s music of the 70's in a historical context. They were both a description of my feelings back then as well as an expression of my musical abilities and limitations. It would be a mistake to ignore the time factor and it would be an artistic shortcoming to pick up on the old concept without doing any changes. There is no way this is going to happen anyway.
Sometimes I don't pick up the guitar for six months or so," "Other times I get away, go to a hotel or something, to write songs. Or go stay with a friend and bring the dog and do stuff away from my normal routine. Then I sit down and play guitar at night. I do it differently every time . There is no set way.
When I met with Peter Angell, the producer of the CD, we talked about my idea to do songs that I loved and songs that I wished I had recorded. Peter suggested that we pick some songs and see how they work with you and try to come up with arrangements and ideas about how you might want to do them.
The use of electronics is a natural extension of the instrument - it is an electric guitar. So we guitarists have been plugging into something since 1931, and we are not about to stop now. Current advances in technology means we can have a huge array of sounds at our fingertips, and this offers amazing possibilities to the contemporary composer. It is always a guitar (I don't play synthesizer) but it becomes something else all together - more like sculpting sound in real time using metal wires, 5 fingers and a pick.
CEOs pretty much pick the boards that give them salaries and bonuses. That's one of the reasons why the CEO-to-payment [ratio] has so sharply escalated in this country in contrast to Europe. (They're similar societies and it's bad enough there, but here we're in the stratosphere. ] There's no particular reason for it.
I never take anything for granted. I think it's very cool to still get excited about things. I get as excited now as I ever did when I get a chauffeur driven car pick me up and I stay in a fantastic hotel or get to fly in a private plane. I never want to get blasé.
I've been reading and researching various aspects of history - Dickens' London, Nelson's sea battles, Magellan's nautical explorations, the weapons and battles and key figures of the American Civil War - for most of my life. I pick up a book here or there or see a documentary or talk with an expert in the subject, and my curiosity about the one area of study and discovery always leads to another.
The foreign policy, you have to know how to pick and choose. There's no way, if Saddam [Hussein] had not had weapons of mass destruction, I would have gone, because I don't believe that the U.S. should be involved directly in civil wars.
On the Gang of Eight bill, there was no provisions really for extra scrutiny or safety for refugees. At the time the bill came up, two Iraqi refugees came to my home town, Bowling Green, Kentucky. Their fingerprints were on a bomb from Iraq. They were in the database, but we didn't pick them up.
Most companies want free enterprise in general because that produces better goods and services and makes people's lives better, but they don't want it in their business. They want protection from competition, they want subsidies, they want the government to pick winners and losers, and they want to be picked as winners, and that's what we're opposing, and that's what drives my whole efforts in policy, and in the political arena.
Be sure of what you want, focus, work hard, be ready to pick yourself up, do not take rejection personally, be as prepared as you can, always be learning, and eliminate negative people from your life regardless of who they are.
Guys hated to play against me because my stock in trade was constant movement. I was quick but not fast so I would move my defender into picks, from one end of the court to another and wear him out until I had him tired and off-guard.
I'd say imagine that you wake up one morning when you're going through a midlife crisis. You're getting divorced. Your kids won't speak to you. Their faces are covered with acne, and you have to decide why you should get out of bed. That's the career you should pick. The one that keeps you going no matter what, even if your life is falling apart. That's how I feel about my career.
The truth is I would do my job for free! I love it every day. If you can possibly choose a vocation that's an avocation, a job that's really a hobby, then you'll be way ahead of the game. You should not pick an occupation because your think your parents want you to do it, or because you think it's the noble thing to do. You should only pick a job because it turns you on.
Sitting around home I mostly play acoustic. I've got seven or eight guitars of various sorts, including a baritone. Sometimes at home, because a guitar is just lying around, that's the guitar I pick up rather than actually choosing something. I try to plan ahead for my laziness by leaving interesting things scattered about. If I leave a baritone guitar lying around, that's the one I'll pick up, and I'll start writing baritoney things.
When war ends, women are the first to pick up the pieces. Where there is no market place, they go door to door. When homes are destroyed, mothers and daughters haul stones to rebuild or plow fields together.
The only justification we have to look down on someone is because we are about to pick him up.
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