I believe in geographic cures - they allow you to throw all your cards in the air and see where they land, then pick them back up and deal them again.
Hollywood is the sort of town where you wake up in the morning and look out to see if it's still there. I expect the whole movie colony to pick up its tents one night and go back to whatever fairyland they came from.
I try to wait until things set up just right before I take a trade. Then, when I'm ready to take the trade, I slowly count to ten before I pick up the phone. It's better to have the wrong idea and good timing than the right idea and bad timing.
Debt, weve learned, is the match that lights the fire of every crisis. Every crisis has its own set of villains - pick your favorite: bankers, regulators, central bankers, politicians, overzealous consumers, credit rating agencies - but all require one similar ingredient to create a true crisis: too much leverage.
Smart, sharp, and hilarious, Slaughterhouse 90210 is the perfect pick-me-up and never-put-me-down book.
If your woman picks your ducks, and she cooks and carries her Bible... now there's the complete package of womanhood.
No matter what you say to yourself, you do want to win. You try to look casual, like you're not thinking, 'oh, please pick me.'
I can pick up a screenplay and flip through the pages. If all I see is dialog, dialog, dialog, I won't even read it. I don't care how good the dialog is - it's a moving picture. It has to move all the time... It's not the stage. A movie audience doesn't have the patience to sit and learn a lesson. Their eyes need to be dazzled. The writer is the most important element in the entire film because if it ain't on the page it ain't going to be on the screen.
I've been a puppet, a pauper, a pirate, a poet, a pawn and a king I've been up and down and over and out and I know one thing Each time I find myself flat on my face I pick myself up and get back in the race
What it gives any human being a right to - to pick and choose which embryo - which fetus is more valuable than another. That's is not up to human beings.
Private citizens and companies are always seen as evil and greedy, because they want to profit. But the government picks your pocket any chance it can get, but they're never called greedy.
We need somebody that can unify a country in spite of a vocal powerful media that's intent on division. It's not about winning the media. It's about winning the people, and I don't think it's necessarily persuasive to eat - to cannibalize yourself. I think that you have to pick the winner.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
I did have a deal for a little while a cigar company that never really materialized that much, except that I ended up with 100 boxes of my own cigars with my signature on them. Which is great, they are wonderful cigars but they never really fulfilled out so now I'm out of it. I can sign up with somebody else or go pick a blend or whatever. I probably will, there is no sense in not doing it.
I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.
As a producer, you really have - you're able to hand-pick all the talent that you want to be surrounded with.
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process.
When you're a teenager, everything seems like the end of the world, and I don't think that's necessarily a silly thing. You're waking up and becoming aware that the world has problems and those problems affect you, whereas when you're young they don't seem to affect you that much even if you're aware of them. This dystopian trend picks up on that little part of your life where everything feels really extreme and it honors that part of your life and says, "Yeah. It is the end of the world. Look at it."
There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.
When I pick a role, one of the things that I aspire to is that somebody's parent will come up to me after the film has come out and say, "My daughter idealizes that character. You're her hero." That's what I aim for. We're in the business of making heroes.
Eighty's a landmark and people treat you differently than they do when you're seventy-nine. At seventy-nine, if you drop something it just lies there. At eighty, people pick it up for you.
it was Tark's experience that TV addicts were usually addicted to something else as well. Food, booze, drugs, sex, money, take your pick.
I'm here to say there is a choice. If you want to stick to the status quo, pick the Republicans or Democrats, but don't complain. Nobody can do a better job than I can.
Rejection is, of course, part of any successful model's career, as ironic as that sounds. It's how you pick yourself up and get on with the job.
Life, if you're fat is a minefield--you have to pick your way, otherwise you blow up.
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