Female success stories from sporting events like the Olympic Games have played a role in shifting the Indian perception to see the female athlete as a hero and a role model for young Indian girls.
Mark my words. Perception is reality and how someone perceives you is their reality.
Perception number one, how you want people to think about you when you arrive and perception number two, how you want them to talk about you once you have left.
I'm particularly interested in how you can't rely on your own perception.
The function of criticism is the reeducation of perception of works of art? The conception that its business is to appraise, to judge in the legal and moral sense, arrests the perception of those who are influenced by the criticism that assumes this task.
While [Plato] affirmed with emphasis that the place of the individual in society should not be determined by birth or wealth or any conventional status, but by his own nature as discovered in the process of education, he had no perception of the uniqueness of individuals. For him they fall by nature into classes, and into a very small number of classes at that.
Language always preserves a play or figure/ground relation between experience, and perception and its replay in expression.
When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them - without distortion which would mar their exact significances - into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn't what he says that counts as a work of art, it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.
Humour very often consists of shrewd perceptions about people. It's usually fun at someone's expense. Nowadays if you're funny at anybody's expense they run to the UN and say, "I must have an ombudsman to protect me." You hardly dare have a shrewd perception about anybody.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
We do not know enough about how the present will lead into the future. We shall never be able to say, "Ha! My perception, my accounting for that series, will indeed cover its next and future components," or "Next time I meet with these phenomena, I shall be able to predict their total course."
We properly judge a critic's virtue not by his freedom from error but by the nature of the mistakes he does make, for he makes them, if he is worth reading, because he has in mind something besides his perceptions about art in itself - he has in mind the demands that he makes upon life.
Let us fix our attention out of ourselves as much as possible; let us chase our imagination to the heavens, or to the utmost limits of the universe; we never really advance a step beyond ourselves, nor can conceive any kind of existence, but those perceptions, which have appeared in that narrow compass.
Boredom lies only with the traveler's limited perception and his failure to explore deeply enough. After a while, I found my perception limited.
Every man feels that perception gives him an invincible belief of the existence of that which he perceives; and that this belief is not the effect of reasoning, but the immediate consequence of perception. When philosophers have wearied themselves and their readers with their speculations upon this subject, they can neither strengthen this belief, nor weaken it; nor can they shew how it is produced. It puts the philosopher and the peasant upon a level; and neither of them can give any other reason for believing his senses, than that he finds it impossible for him to do otherwise.
I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.
All civilization in a sense exists only in the mind. Gunpowder, textile arts, machinery, laws, telephones are not themselves transmitted from man to man or from generation to generation, at least not permanently. It is the perception, the knowledge and understanding of them, their ideas in the Platonic sense, that are passed along. Everything social can have existence only through mentality.
What I desire of a poem is a clear understanding of motive, and a just evaluation of feeling A poem in the first place should offer us a new perception..bringing into being a new experience Verse is more valuable than prose for its rhythms are faster and more highly organised and lead to greater compexity.
The sexist perception that violence by anyone against only women is anti-woman while violence by a woman against only men is just generic violence creates a political demand for laws that are even more protective of women.
The purpose of formulating [a] conflict as a game is not that of resolving the conflict by 'solving the game.' It is that of displaying the structure of the conflict and thereby exposing features of it that may be concealed by rhetoric. In particular, appreciation of the peculiar structure of some of the so-called mixed - motive conflicts represented nonzero-sum games may change the conflicting parties' perception of their situation.
Lewis sought no disciples, nor does he offer a program or solution, rather his contribution is a critical discipline. Lewis is a stimulant, a mode of perception, rather than a position or practice.
Listen I don't expect an apology from men like Chuck Schumer, and I would put him and other individuals who were attacking me at the top of the list contributing to the low, low public perception of Congress, the integrity of Congress quite frankly.
Watching violence in movies or in TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.
At last, Mythic feeling and conscious perception no longer confront each other as antagonists but as allies. Passionate nationalism is no longer directed toward tribal, dynastic or theological loyalties, but toward that primal substance, the racially based nationhood itself. Here is the message which will one day melt away all dross, eliminate all that is base, and bring into being all that is noble.
Most of these who are thrust into combat soon find it impossible to maintain the mythic perception of war.
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