When I began to play Frisbee, I would play with my friends and we used to do difficult things. We would stand in front of lines of trees that were parallel. We would spend hours throwing frisbees back and forth between these tight spots.
We come finally, however, to the relation of the ideal theory to real world, or "real" probability. If he is consistent a man of the mathematical school washes his hands of applications. To someone who wants them he would say that the ideal system runs parallel to the usual theory: "If this is what you want, try it: it is not my business to justify application of the system; that can only be done by philosophizing; I am a mathematician". In practice he is apt to say: "try this; if it works that will justify it".
Part of what attracted me to the village was it had a lot of parallels to contemporary issues. Like, fear and the way fear controls us. How the governing body of a town, or a nation, controls us through fear. They might mean well by it, but we are conditioned to be afraid of things. Fear of the unknown. Fear of terrorism. And it's unfortunate.
A lot of the parallel processing software we're currently developing for supercomputers is tantric.
All that's known is this: there is no central processor, no single computer. Nothing that simple. Millions of neurons process information simultaneously and in parallel, not linearly, but the actual chemistry and electrical properties of that integrative process are still being mapped. Even so, it seems odd that during the evolution of brain circuitry and thinking, the ability to understand itself did not get wired in. Such built-in innocence seems like a terrible oversight.
I don't think I ever relinquish a person I have known, and surely not my fictional characters. I see them, I hear them, with a clarity that I would call hallucinatory if hallucination didn't mean something else ... A character whom we create can never die, any more than a friend can die ... Through [my characters] I've lived many parallel lives.
It's really hard for me to use the term 'history' in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I'd rather stick to the pluralness of 'histories' in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
One thing that has happened is a revolution in digital consumer recording, and overall, that's a great thing for art, but parallel to that there's been a revolution in boutique audio companies making excellent gear.
They're not parallel at all. They're my concerns, but how they're expressed particularly on the page is completely divorced from who I am in my street life.
Now that I no longer feel lonely, and now that my own past feels resolved in a whole new and very deep way, I am excited to write about the real world, to stay in it. Fiction is an escape, a parallel life, and it was a powerful source of comfort for me when my own life was raw and uncomfortable. I don't feel the burning need to disappear into a fictional character these days.
Something can be symbolic without being a mere stand-in or vessel, which just brings us away from the true mystery and dread, into some boring version of what we already know. So what you say is true, in that the bear is a kind of parallel to the speaker, or imagined as such, but also very different. So if it's a symbol it is - ahem - a polysemous one.
For me, there's a very clear parallel between the practice of insight in Buddhism and what's called prajna - the insight that arrives through meditation.
As long as you identify with the universe - which is perfect and can correct material conditions to bring them back into alignment with that Divine perfection - as long as that is where your mind is aligned, it's as though there were two parallel universes. You decide with every thought you think which one you're going to inhabit. Two parallel universes of experience, as it were.
It's very rare that you get to play a character over the course of so many films. Bella meant a lot to me and she will always be such a formative event in my career. I grew up with her and she and I have been on this great journey together. I also see many parallels between her evolution and my own because I lived through so many things along the way while playing Bella and having this connection to so many people involved in making the films over the years. It would be impossible for me to separate my world from Bella's.
Nature works in parallel ways.
The idea wasn't to make a direct political statement since the current economic collapse hadn't begun when we started on the book. The parallels I'm most interested in are the ways that human nature never changes, no matter how far back in time you look.
You have hundreds of artists you're dealing with across the world and the scale of this movie [Kung Fu Panda] was insane - we had a parallel pipeline going on where you had two versions recording Mandarin voice actors, getting it to be funny for Mandarin audiences going beyond a straight translation, and then animating it and lighting it, it's a lot of work.
Without the parallel development of systems of monetary - and credit-based exchange - there could have been no development of economies beyond the most primitive organizational forms and the most geographically restricted sales.
Suppose you have a parallel self who has made different choices, who is following a different event track since you made certain choices in your life. Maybe you can reach to that self and borrow gifts and lessons from that self and maybe even help them on their road.
I never really think about my gender, first and foremost - until a door is closed to you. Until you can see a parallel opportunity with a man in a similar place in his career and you think, That opportunity is not open to me or my fellow actresses. That's interesting.
Inquiry and curiosity is really important in any profession, but definitely in what I do. And in parallel you also need to be confident enough to try things. So it's a tricky thing sometimes to balance those two states.
The Jacksonian era is generally talked about in terms of individualism, and the development of free market capitalism, and Victorian prudery. It was shocking to find a parallel history to that - a bunch of Americans with very different priorities. I stumbled on to these people, and then became completely fixated on them. The question that drove me was: how did these reasonable people adopt these extremely unreasonable ideas?
I see certain parallels between the debate over feminism where some women argue that women should not be forced to stay at home and take care of children [and debate about hijab]. And there are other women who are saying you are criticizing my decision as a free liberated women to stay home and take care of my children.
I say openly that I am an anti-war person, with the point being, show me some reason not to be against this war. You have to be sort of asleep at the switch not to be critical of it. And the parallel between one quagmire we went through in Vietnam and the one we're in now is clear for everybody to see.
There are possibilities that dreams are our little windows upon a parallel timeline.
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