A flattering painter, who made it his care To draw men as they ought to be, not as they are.
Art is long. Life is short. A picture can become for us a highway between a particular thing and a universal feeling.
Art has always been the raft onto which we climb to save our sanity. I don't see a different purpose for it now.
There is no reason not to consider the world as one gigantic painting.
Art is a spiritual, immaterial respite from the hardships of life.
I sit for two or three hours and then in 15 minutes I can do a painting, but that's part of it. You have to get ready and decide to jump up and do it; you build yourself up psychologically, and so painting has no time for brush. Brush is boring, you give it and all of a sudden it's dry, you have to go. Before you cut the thought, you know?
My drawings and paintings were done as an act of protest; I was trying by means of my work to convince the world that it is ugly, sick and hypocritical.
Blue has no dimensions, it is beyond dimensions, whereas the other colours are not....All colours arouse specific associative ideas, psychologically material or tangible, while blue suggests at most the sea and sky, and they, after all, are in actual, visible nature what is most abstract.
The purpose of my work was never to destroy but always to create, to construct bridges, because we must live in the hope that humankind will draw together and that the better we understand each other the easier this will become.
All works, no matter what or by whom painted, are nothing but bagatelles and childish trifles... unless they are made and painted from life, and there can be nothing... better than to follow nature.
Take everything as it comes; the wave passes, deal with the next one.
One curator said he didn't want my work in his gallery because it was so simple even children understood it. I thought, what a wonderful tribute!
The artist must paint as he would speak. I don’t want people to speculate what I mean, I want them to understand.
Art is a line around your thoughts.
Inspiration is for amateurs. The rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself.
The evolution of the New Era rests on the cornerstone of Knowledge and Beauty.
Abstract is not a style. I simply want to make a surface work. This is just a use of space and form: it's an ambivalence of forms and space.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.
Technique does not constitute art. Nor is it a vague, fuzzy romantic quality known as ‘beauty,’ remote from the realities of everyday life. It is the depth and intensity of an artist’s experience that are the first importance in art.
It was not that the jagged precipices were lofty, that the encircling woods were the dimmest shade, or that the waters were profoundly deep; but that over all, rocks, wood, and water, brooded the spirit of repose, and the silent energy of nature stirred the soul to its inmost depths.
Great art picks up where nature ends.
Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.
It therefore should be possible for even the photographer - just as for the creative poet or painter - to use the object as a stepping stone to a realm of meaning completely beyond itself.
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