Nobody taught Picasso how to paint - he learned for himself. And nobody can teach you to be a producer. You can learn the mechanics, but you can't learn what's right about a script or a director or an actor. That comes from instinct and intuition. It comes from inside you.
I wish there was a painter who could paint as well as Ted Williams could hit.
As long as you're true to you, you believe it and you make others believe it, then what you're doing is just art. If you give everybody a blank canvas and some paint, not everybody's picture is going to be exactly the same, but it's still art. I just do what I do.
I want to make beautiful paintings. But I don't make beautiful paintings by putting beautiful paint on a canvas with a beautiful motif. It just doesn't work. I expect my paintings to be strong and surprising.
I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue.
When I paint a picture of a house, that goes back to my roots.
A kind of racism still exists in the United States, and Islamophobia is a more convenient way to express that sentiment. There has also been an attempt to paint Muslims as enemies of the United States.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
Painters aren't expected to paint bleak pictures, are they?
I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
I play music, I paint - these things come from your depths.
If I had a place with a studio where I could paint I'd be happy.
Wanting to be understood by an audience that didn't know Russian, I tried to paint musical pictures by emphasizing the phrasing, using voice color more boldly, and varying the shade and nuance.
When an artist is in the strict sense working, he of course takes into account the existing tastes, interests and capacity of his audience. These no less than the language , the marble, the paint, are part of his aw material.; to be used, tamed, sublimated, not ignored or defied. Haughty indifference to them is not genius, it is laziness and incompetence.
There is a trend today that would put a new robe on the prodigal son while he is still feeding hogs. Some would put the ring on his finger while he still in the pigsty. Others would paint the pigsty and advocate bigger and better hog pens.
If I had my child to raise all over again,I'd finger paint more, and point the finger less.I'd do less correcting, and more connecting.I'd take my eyes off my watch, and watch with my eyes.I would care to know less, and know to care more.I'd take more hikes and fly more kites.I'd stop playing serious, and seriously play.I'd run through more fields, and gaze at more stars.I'd do more hugging, and less tugging.I would be firm less often, and affirm much more.I'd build self esteem first, and the house later.I'd teach less about the love of power, and more about the power of love.
When you're not a mom, you can get up in the middle of the night, paint, sleep all morning... you can't do that when you have two children!
Sometimes I write what I can't paint, and I paint what I can't write. I use a different part of the brain.
I paint very messy. I throw paint around. So when I let myself do the same sort of thing with my writing, and I would just write and write and write and revise, that's when I found my rhythm in writing.
When I was growing up, I wanted to be a house painter like my father, but I was always screwing up when I went to work with him. I had a talent for knocking over paint and painting myself into corners. I also realized fairly quickly that painting bored me.
Sports biography at its best. Rich in period detail, anecdote, and fresh perspective, Strong Boy paints both the good and the bad sides of success, as America's growing celebrity culture turned a simple Irish American gladiator into a national, in fact international hero. A very human story with profound parallels for our sports-obsessed culture today!
Earning money is not the sole objective of life or education. A community of any quality should have a whole range of skills and interests. They should paint, write, perform, visit art galleries and enjoy world-class concerts. Only then will they form a vibrant, rounded, interesting community.
Objects of every sort are materials for the new art: paint, food, chairs, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.
Philosophy can forsake too easily the details of experience… many writers and painters have demonstrated that thinking long about what art is or ought to be ruins the power to write or paint.
Why do writers, say, give up a job in economics and decide to write poetry? Or, why do they give up a job in a bank and decide to paint, like Krishan Khanna? They want to convey something.
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