I love Aerosmith. I love Guns N' Roses, AC/DC, anything from that era, Led Zeppelin. So my guitar style is very much like Slash or Jimmy Page. I love playing that kind of music. It's where my heart's at.
People often ask, why aren't you reading about what it is you're working on right now? And the truth is, you only get three pages a night before your eyelids close.
If somebody is not on the same page with me humor wise, I can't give them that.
Repeats are the absolute soul-crushing killers of the comics page.
History is not the soil of happiness. The periods of happiness are blank pages in it.
On the analogy of 'Dictionary Johnson,' we call Fred R. Shapiro, editor of the just-published Yale Book of Quotations (well worth the $50 price), 'Quotationeer Shapiro.' Shapiro does original research, earning his 1,067-page volume a place on the quotation shelf next to Bartlett's and Oxford's.
The secret of popular writing is never to put more on a given page than the common reader can lap off it with no strain whatsoever on his habitually slack attention.
There's great value to knitting or digging up your garden or chopping up vegetables for soup, because you're taking some time away from turning the pages, answering your emails, talking to people on the phone, and you're letting your brain process whatever is stuck up in there.
I have preferred to teach my students not English literature but my love for certain authors, or, even better, certain pages, or even better than that, certain lines. One falls in love with a line, then with a page, then with an author. Well, why not? It is a beautiful process.
Getting an idea for a book is not the problem, but you need 300 ideas - an idea a page.
Accident is as much a part of fiction as anything else, symbolic of the grace that, along with will, conspires to put words on the page.
When Patti Fox broke up with me, I typed her name over a thousand times on my manual Olivetti until the entire page was beaten into a stiff sheet of black ink.
I'm not asking a poem to carry a lot of rocks in its pockets. Just being an ordinary observer and liver and feeler and letting the experience get through you onto the notebook with the pen, through the arm, out of the body, onto the page, without distortion.
My only requirement for that first story was that there had to be a fight or an explosion on every page. Naturally, no one wanted to publish it, but I liked the character, did a few stories to keep my hand in.
Many of the ugly pages of American history have been obscured and forgotten. A society is always eager to cover misdeeds with a cloak of forgetfulness, but no society can fully repress an ugly past when the ravages persist into the present. America owes a debt of justice which it has only begun to pay. If it loses the will to finish or slackens in its determination, history will recall its crimes and the country that would be great will lack the most indispensable element of greatness — justice.
My boarding school experience was the only thing I had strong enough feelings to write about for hundreds and hundreds of pages. I can still smell the formaldehyde of the fetal pigs in biology.
I have a lot of novels that I haven't finished. I usually get 150 pages in and I realize it's not going anywhere. I don't publish everything I write. I must have six unfinished novels at least.
The business pages of American newspapers should not read like a scandal sheet.
Look at the blank pages before you with courage. Now fill them with beauty.
Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage.
I Freestyle my Destiny, It's not written in Pages.
It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end.
THE STORIES WE TELL fearlessly explores the textures of the human heart, finding a path toward hope through a Savannah that is jagged with class issues, faith misused, and broken trust. Henry loses you in a landscape peopled with secret keepers, storytellers and liars, and proves that in the end, love is the only reliable compass. This is everything you expect from Patti Callahan Henry—lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness—plus a twisty plot that will keep the pages turning long into the night.
I was tired of illustration. You'd work so hard on a commission and it would go in to a magazine, and you'd turn the page and it was gone.
And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.
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