I think comedy is an angry art form; it's an outsider art form.
Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
I don't feel the pressure by outsiders. I'm not someone who's easily influenced by the public.
Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.
Mary's [Hamill] working from an outsider perspective and I'm working from an insider-outside perspective. In this case, it will bring an added dimension to the visual aspects of the work. Also the processes and approaches that I'm thinking are about learning. I'm playing it by ear to experiment and see what happens.
Donald Trump is a genuine outsider.
You've gotta be an outsider a little bit to shake yourself loose from the mill, the "machine." In order to even cut the space in your life to pursue what most people literally cannot afford a moment to pursue. So, yeah. I think that not only is that the role of the artist, but it might be a requirement.
I think that everyone who does music, and everyone who does art, or everyone who decides at a young age that they're gonna do that, is someone who feels like an outsider. The world is not really set up for that.
...I use primal imagery, so maybe it's fitting that I use the most primitive of cameras [pinhole cameras]. Since there's no viewfinder, the image is much more of a surprise - as if some outsider came and looked at earth for the first time.
I felt like hip-hop was my music, it was like my outsider music... but then my mom started answering our phone, 'Yo, what's up.' She was hearing me talk to my friends. I was like, 'No, mom, don't cop the hip-hop talk.
There isn't much room for an outsider point of view in print any more.
Usually the Indian people are outsiders who have to look up at the people who look down.
Everyone in life knows what it's like to be picked on and to feel like an outsider.
The notion of the hero as outsider, as alien, is forget it, over, done with. It's not about being against society anymore. It's about standing there, holding something up. It's not pulling away.
Fascistic leaders are aggressively macho and chauvinistic. They are xenophobic about people who they portray as outsiders or some sort of threat to the nation or as weaklings they can denounce.
I've just always been a fan of really fringy, outsider things, and I've always been a balloon in the wind, in terms of where that takes me.
Geeks are running the world, anyone who's seen The Social Network knows the dynamic has shifted, but what I think is iconic and timeless about Peter Parker is that he's an outsider, on the outside looking in, and that was something I thought was very important to protect.
Whatever Scotland was, it was not a matriarchy; whereas the United States was a profoundly matriarchal society - and much more feminine than would be suggested by all that male bravado. That was a front, and a misleading one at that; underneath the male swagger lay a passive acceptance of female dominance - a fact not always appreciated by outsiders.
I approach everything as an absolute outsider. It is the only way I can break so many rules.
As Colin Wilson has written, "modern civilisation, with its mechanised rigidity is producing more outsiders than ever before-people who are too intelligent to do some repetitive job, but not intelligent enough to make their own terms with society." Those "intelligent enough" to make their own terms with society are what we will later refer to as artists of life. The outsider views himself as a product of a culture he rejects-the artist views himself as a culture-builder.
An outsider longing to be on the inside is the same as the soloist longing to work in an ensemble. I get great satisfaction in being a part of the proper - for me - community. I'm uncomfortable with various social groupings and clusterings. But when I'm in the right group, doing the right thing, I get as much satisfaction out of that as anyone who does it all the time.
On the Facebook side, I think it's a bit of an evolution, in that that company, which has clearly done amazing things, was, I believe, as an outsider looking in, was founded on a culture that was obsessive about the users. And they built a service that is very valuable for users, and that is to be applauded.
I was very fortunate. I had a great group of friends in my life, and family, and so I felt a sense of safety and belonging that ... as you grow older, you realize that not everybody does feel that. And there's particular certain groups of kids who always feel like outsiders. But I was very fortunate.
I think it's different in fashion, because even if I would be an outsider, I would still be in the middle of the whole world of contemporary fashion. But it's interesting to think what outsider fashion could be. Does it mean to be completely disconnected from the regular system or just disconnected style-wise?
Of course, the more you read, the more you learn, and ultimately there is more information than you can ever use. The difficulty is that as an outsider, you know you're too ignorant for your own good, and so the urge to keep researching and *never* start writing is pretty strong.
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