I see my subject as an orchestration of shapes, patterns, shade, cast shadows, tonal groupings and aerial perspective.
Wagner exploited all forms of expression at a composer's disposal - harmony, dynamics, orchestration - to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves.
If I have any talent, it's in the artistic end of football. The variation of movement of 11 players and the orchestration of that facet of football is beautiful to me.
Sauces comprise the honor and glory of French cookery. They have contributed to its superiority, or pre-eminence, which is disputed by none. Sauces are the orchestration and accompaniment of a fine meal, and enable a good chef or cook to demonstrate his talent.
I went to study some orchestration stuff because I got so inspired working with all the orchestras.
There are lots of stories in pop music, lots of lush orchestrations, lots of attention to detail. You just have to know where to find them. The best stuff is never overt.
Literature is the orchestration of platitudes.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
Creative activity is not a superimposed, extraneous task against which the body, or brain protests, but an orchestration of ... joyful doing.
The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.
When I don't know what the music is going to be for a scene, I imagine some sort of orchestration going on and damned if they don't usually come up with a similar kind of thing.
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.
Politics is the name we give to the orchestration of power in any society.
I can write orchestrations, but I can't sight-read music and play at the same time. I don't have enough facility.
I would like to say is that to be truly American and represent American ideals you need to consider yourself a citizen of the world. American policy has gone contrary to that ideal. The Bush Administration is bent on making the world submit to "Americanism" instead of becoming a member of the world community. This orchestration comes from the very top of the Administration and has pushed America into a corner. So, rather than trying to humbly mix with the rest of the world, we are forcing ourselves upon it. We seem to create conflicts with everyone.
I love jazz. I still do. Dave Brubeck and Stan Getz are so good. I took a notification course in Jazz Orchestration. It wasn't a grandiose as you'd think but I did have to to go to Los Angeles to do it and get an understanding of the keyboard because the keyboard became my tool and I used it a lot in transposing and composing. All the flats and time values. I spent a year doing that because in those days you had to be able to write your own music and read sheets.
My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.
What feeling feels like over time. An attempt to screw up what feeling feels like over time. Heartbreak and a high C.... The often welcome melodic lie.... The soul's undersong. The orchestration of randomness, a flirtation with the boundaries of silence and space.... a reminder that the self wants to disappear, be taken away from itself and returned.
I think if Unchained Melody does what I think it can do, I think there is an audience out there that would heave a sigh of relief, that finally there is a melody and orchestration, production and a vocalist that is giving them a song that they can just listen to... and not be annoyed by the vocal acrobatics that vocalists seem to think is impressive.
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