The objective of the demonstrators is to win the affection of the armed agents of the government... Most of the Kiev police have now pledged their support for the people...
A painter paints the appearance of things, not their objective correctness, in fact he creates new appearances of things.
It may be said that myths give to the transcendent reality an immanent, this-worldly objectivity. Myths speak about gods and demons as powers on which man knows himself to be dependent, powers whose favors he needs, powers whose wrath he fears. Myths express the knowledge that man is not master of the world and his life, that the world within which he lives is full of riddles and mysteries and that human life also is full of riddles and mysteries.
But man has still another powerful resource: natural science with its strictly objective methods.
The old scientific ideal of episteme - of absolutely certain, demonstrable knowledge - has proved to be an idol. The demand for scientific objectivity makes it inevitable that every scientific statement must remain tentative for ever.
Suffering is given to you that you might open your eyes to the truth.
But instinct is something which transcends knowledge. We have, undoubtedly, certain finer fibers that enable us to perceive truths when logical deduction, or any other willful effort of the brain, is futile.
I make no pretensions to 'objectivity,' a fraudulent concept in an era of industrialized and politicized science in which intellectual mercenaries too often serve power and greed, the ambitions of competing nation-states, or the requirements of commerce.
Two aesthetics exist: the passive aesthetic of mirrors and the active aesthetic of prisms. Guided by the former, art turns into a copy of the environment's objectivity or the individual's psychic history. Guided by the latter, art is redeemed, makes the world into its instrument, and forges, beyond spatial and temporal prisons, a personal vision.
My books deliberately provide no answers or messages. Im drilled in the habit of objectivity and also aware that the steady drip of fiction has more power than facts to shape opinion, so I handle it with caution.
...the scientific attitude implies what I call the postulate of objectivity-that is to say, the fundamental postulate that there is no plan, that there is no intention in the universe. Now, this is basically incompatible with virtually all the religious or metaphysical systems whatever, all of which try to show that there is some sort of harmony between man and the universe and that man is a product-predictable if not indispensable-of the evolution of the universe.
In the course of writing one historical book or another, it has happened that I could hardly restrain myself from simply copying entire documents. Indeed, I sometimes sank down among the documents and said to myself, I can't improve on these.
The subject of the novel is reality liberated from soul. The reader in complete independence presented with a structured process:let him evaluate it, not the author. The façade of the novel cannot be other than stone or steel, flashing electrically or dark, but silent.
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
It is only by being exchanged that the products of labor acquire a socially uniform objectivity as values, which is distinct from their sensuously varied objectivity as articles of utility.
Objectivity and justice have nothing to do with one another.
Inaction, letting be, neither creating nor destroying--that is my evil. And also the knower as one without desire.
The quality an artist must have is objectivity in judging his work, plus the honesty and courage not to kid himself about it.
Choosing a director is like choosing a therapist - you want somebody who is going to be a step or two ahead of you, who can interpret and articulate your intentions better than you can, with the benefit of objectivity. I look for a collaborator who is going to help bring to life, on stage, in three dimensions, what is on the page. I wouldn't want a director who imposes conceits or distrusts the text or who has prejudged the characters.
Any attempt to dismiss a phenomenon that is not understood merely by explaining it as hallucination becomes irrelevant when a coherent scientific theory can be applied.
The philosopher forms his principles on an infinity of particular observations. He does not confuse truth with plausibility, he takes for truth what is true, for false what is false, for doubtful what is doubtful, and probable what is probable. The philosophical spirit is thus a spirit of observation and accuracy.
Every atheist is an idolater- unless he is worshipping the true God in his impersonal aspect. The majority of the pious are idolaters.
We are caught in a traffic jam of discursive thought.
Objectivity is the subject subjugating the object. That is how you assert yourself. You make yourself the active voice and the object is the passive no-voice.
The news is a public service. It's a way to inform people of what's going on in their world. And when you make it about ratings and make it about ad dollars, there's no incentive to inform people. The incentive is to be sensationalistic and get as many people to watch as you can without any regard for truth or objectivity.
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