A historian may be an artist too, and a novelist is a historian, the preserver, the keeper, the expounder, of human experience.
Of Dickens' style it is impossible to speak in praise. It is jerky, ungrammatical, and created by himself in defiance of rules... No young novelist should ever dare to imitate the style of Dickens.
I was a novelist before I was a TV screenwriter. Actually, as a kid, I think I'd always wanted to be a writer, but never thought that I would be one.
I write about life as it exists within houses and on the streets. And there's nothing, hopefully, in any of my characterizations or in any of my plottings or in any of my valuations that doesn't ring true to life. I'm a novelist. I'm not a theoretician.
Salvation is an individual relationship with God. I've always considered myself to be a devotional poet, and I consider myself to be a devotional novelist.
Since I'm a novelist I'm the opposite of you - I believe that what's most important is what cannot be measured. I'm not denying your way of thinking, but the greater part of people's lives consist of things that are unmeasurable, and trying to change all these to something measurable is realistically impossible.
Even when I was living below the poverty line as a novelist, I was still living better than 99.5% of the human population of the world. But in my little, soft realm of trying to amuse a few dozen middle-class people with my books and articles, I did struggle to survive in my own way.
I'm a natural novelist. I'm interested in the person and the group, and how they mesh. And one of the ways I don't want them to mesh is for the person to be subsumed into the group.
I tried to make guitars that were close to what my heroes played. That's the way it's done. My experience is that you have to do it like a musician. You have to learn the language before you can learn to be a novelist.
Americans would have a right to go to war with the Iraqis if we could name one author from Iraq. It disturbs me that we're going to war with somebody we know absolutely nothing about. Name one Iraqi poet, one Iraqi woman activist, one Iraqi singer. Name one Iraqi novelist. You can't. And how can you go kill someone you don't know anything about?
We may, without offending any laws of good taste, require of an architect, as we do of a novelist, that he should be not only correct, but entertaining.
The best moments involve a loss of control. It's a kind of rapture, and it can happen with words and phrases fairly often - completely surprising combinations that make a higher kind of sense, that come to you out of nowhere. But rarely for extended periods, for paragraphs and pages - I think poets must have more access to this state than novelists do.
In high school, I wanted to be an actress. Until I got to college and took some creative writing courses. Then I decided I wanted to become a novelist.
Michel Houellebecq is the most interesting, provocative and important European novelist of my generation. Period. No one else comes close. He has written two or maybe three great books, and his latest, The Map and the Territory, is one of them.
What terrorists gain, novelists lose.
Being called a 'bad citizen' is a compliment to a novelist, at least to my mind. That's exactly what we ought to do.
The biggest book for me, when I was fifteen, was Crime and Punishment, which I read in a kind of fever. When I put it down, I thought, if this is what novels are then I want to be a novelist.
I'm a very old-fashioned novelist. I write 19th-century novels, where a lot of rules apply.
The essay is a wonderful medium. I might mention that some writers who longed to be novelists were better as essayists: Sontag, Baldwin, Vidal, Mary McCarthy, Mailer.
I grew up as a reader as well as a movie-lover, so many of the novelists I admired - and so many of the great filmmakers I loved - were self-taught.
I have a wonderful editor who believes in fiction and poetry. She herself is a novelist and poet.
First-book novelists and storywriters haven't yet failed and so it's easier to publish them - you can gamble on a success. Whereas someone who has written four books that are highly literary and demanding and require you as a reader. They may not be republished.
I'm not a philosopher. I am the next thing to a jock, which is a novelist.
I'm really influenced by Southern novelists, not many movie people. More like John Faulkner, William Faulkner, Erskine Caldwell, Flannery O'Connor, John Steinbeck, and people like that.
I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart. This is my business as a novelist. It is not about positions and ideas.
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